Mildred Aldrich

Mildred Aldrich

Summary

Portrait of Mildred Aldrich Mildred Aldrich Told in a French Garden

I am forced to know myself. To feel myself borne along in spite of myself; and to realize that she who should have worn a crown of happy womanhood, lies there a sacrifice, to be bewailed like Jepthah's one fair daughter; and to sit here in full dread of the ebbing of even this great emotion, knowing too well that it will pass out of my life when it shall have achieved its purpose, leaving only as evidence this—another great work, crystalized into immortality in everlasting stone. I know that I cannot long hold it here in my heart.
Source: Gutenberg

Portrait of Mildred Aldrich Mildred Aldrich Told in a French Garden

He suffers in living like other men—sometimes more, because he refuses to struggle in the clutches of Chance!
As I gazed down into her white face, I heard the steps of my friend, even above the roaring of the river, as he strode down the hillside, out of my life! And I know not even to-day which was the bitterest grief, the loss of my faith in being loved, or the passing from my heart of that man!
Of the pain of the night that followed, only the silence and our own hearts knew.
Love and passion are so twinned in some hours of life that one cannot distinguish in himself the one from the other.
Source: Gutenberg

Portrait of Mildred Aldrich Mildred Aldrich Told in a French Garden

They are too recent to have been forgotten. Both tasks have, moreover, been done better than I could do either.
This I can do, however, bear witness to the glowing wings of hope, of longing, of aspiration which his singing violin lent to hearts oppressed by commonplace every-day cares, to the moments of courage, of re-awakened endeavor which he inspired in his fellowmen, to the marvellous magnetism of his playing which seemed for the moment to restore to a soul-weary world its illusions, and to strike off the fetters of despondency which bind mortality to earth.
Source: Gutenberg

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