Nina H. Kennard

Summary

Nina H. Kennard Lafcadio Hearn

The hero is the well-known Japanese painter Buncho; the heroine a Geisha. There is something simple, natural, tragic and yet intangible and ethereal in the manner in which Hearn tells it; the presence of a vital spirit, the essential element of passion and regret, the throb of warm human emotion, in spite of its exotic setting, brings it into kinship with the human experience of all times and countries. There is no attempt at scenery, only a woman hidden away in the heart of nature, in a lonely cottage amongst the hills, with her love, her memory, her regret.
Source: Gutenberg

Nina H. Kennard Lafcadio Hearn

CHAPTER XXIII USHIGOME
"Every one has an inner life of his own,—which no other eye can see, and the great secrets of which are never revealed, although occasionally, when we create something beautiful, we betray a faint glimpse of it—sudden and brief, as of a door opening and shutting in the night.... Are we not all Dopplegangers?—and is not the invisible the only life we really enjoy?"
In spite of his railings against Tokyo, Hearn was probably happier at Ushigome and Nishi Okubo than he had ever been during his other sojournings in Japan, excepting always the enchanted year at Matsue.
Source: Gutenberg

Nina H. Kennard Lafcadio Hearn

Writing later to Chamberlain, Hearn acknowledged that what delighted him those first days in Japan was the charm of nature in human nature, and in human art, simplicity, mutual kindness, child-faith, gentleness, politeness ... for in Japan even hate works with smiles and pretty words.
For the first time Hearn was not merely describing a sensuous world of sights and sounds, but a world of soft domesticity, where thatched villages nestled in the folds of the hills, each with its Buddhist temple, lifting a tilted roof of blue-grey tiles above a congregation of thatched homesteads.
Source: Gutenberg

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