Summary

Portrait of Elizabeth Bisland Elizabeth Bisland The Life and Letters of Lafcadio Hearn…

Nothing is stable. All Japanese officialdom is perpetually in flux,—nothing but the throne is even temporarily fixed; and the direction of the currents depends much upon force of intrigue. They shift, like currents in the sea, off a coast of tides. But the side currents penetrate everywhere, and clapotent all comers, and swirl round the writing-stool of the smallest clerk,—whose pen trembles with continual fear for his wife’s and babies’ rice. Being good or clever or generous or popular or the best man for the place counts for very little. Intrigue has nothing at all to do with qualities.
Source: Gutenberg

Portrait of Elizabeth Bisland Elizabeth Bisland The Life and Letters of Lafcadio Hearn…

You represent, in a way, the big world of society. It kills every man that it takes notice of—or rather, every man that submits to be noticed by it. Their name is legion; and they are strangled as soon as they begin to make the shadow of a reputation. Solitude and peace of mind only can produce any good work. Attentions numb, paralyze, destroy every vestige of inspiration. I feel that I cannot go to America without hiding—and never can let you know where I go to. I shall have to get away from Tōkyō,—get somewhere where nobody wants to go.
Source: Gutenberg

Portrait of Elizabeth Bisland Elizabeth Bisland The Life and Letters of Lafcadio Hearn…

No Japanese Don Juan—no Chinese Don Juan—ever existed or could exist. He is a common type at home. But the Orient rejoices also in exemption from one of the most terrible creations of Western life;—no Oriental is haunted by “the Woman thou shalt never know.”
What a curse and a delusion is that beautiful spectre! How many lives she makes desolate! How many crimes does she inspire, “the Woman thou shalt never know!”—the impossible ideal, not of love, but of artistic passion, pursued by warm hearts from youth till age, always in vain.
Source: Gutenberg

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