Paul Alexander Bartlett

Paul Alexander Bartlett

Summary

Portrait of Paul Alexander Bartlett Paul Alexander Bartlett When the Owl Cries

Mona wandered in and licked his fingers, when his hand hung over the side of the hammock. She lay underneath, on the cool tiles.
Strange, lying here in her bedroom, strange to be alive, strange that Caterina is dead ... stranger still is Angelina's coldness, her sorrow, her introversion ... what is it we say to one another, or don't say? What is it that heals us? Something for one, something else for another. She wouldn't like to care for me but she would like to look after a child. Strange sound the sea makes, strange what life is.
In a few days I'll be back at Petaca.
Source: Gutenberg

Portrait of Paul Alexander Bartlett Paul Alexander Bartlett When the Owl Cries

Presently, he went to the stable where Chico stood, brushed and saddled, tail switching. Manuel was polishing the cantle, chatting with other men; hens and roosters scratched in the floor straw; the air boomed with flies.
"The sacks are on," said Manuel, punching a corn sack behind Chico's saddle.
"Let's go, then," said Raul. "Are you ready?"
"I'm all set," said Manuel.
The palomino's beauty was obvious in many ways: bone structure, slant of ears, line of hocks, texture of mane and tail. Chico swung his head to watch Raul mount; his teeth ground his bit slightly.
Source: Gutenberg

Portrait of Paul Alexander Bartlett Paul Alexander Bartlett When the Owl Cries

The sky became a mushy gray, and later in the day the clouds oozed rain, then hail. Hailstones, the size of parrots' eyes, flicked at bougainvillaea, jacaranda, cup-of-gold, and oleander until the garden had little brilliance left. Everything was green and wet, and the wet green clambered from within, a threat, a tropic impulse.
Raul recognized the force. He felt it also in the sky as he stood at Caterina's bedroom window on the second floor. From there, the volcano seemed to knife the sky at a peculiar angle, with a peculiar pressure.
Source: Gutenberg

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