Percy Bysshe Shelley

Percy Bysshe Shelley

Summary

Portrait of Percy Bysshe Shelley Percy Bysshe Shelley The Revolt of Islam — Author's Preface (1818)

Poetry, and the art which professes to regulate and limit its powers, cannot subsist together. Longinus could not have been the contemporary of Homer, nor Boileau of Horace. Yet this species of criticism never presumed to assert an understanding of its own; it has always, unlike true science, followed, not preceded, the opinion of mankind, and would even now bribe with worthless adulation some of our greatest Poets to impose gratuitous fetters on their own imaginations, and become unconscious accomplices in the daily murder of all genius either not so aspiring or not so fortunate as their own.
Source: Wikisource

Portrait of Percy Bysshe Shelley Percy Bysshe Shelley The Revolt of Islam — Author's Preface (1818)

I have sought to enlist the harmony of metrical language, the ethereal combinations of the fancy, the rapid and subtle transitions of human passion, all those elements which essentially compose a Poem, in the cause of a liberal and comprehensive morality; and in the view of kindling within the bosoms of my readers a virtuous enthusiasm for those doctrines of liberty and justice, that faith and hope in something good, which neither violence nor misrepresentation nor prejudice can ever totally extinguish among mankind.
Source: Wikisource

Portrait of Percy Bysshe Shelley Percy Bysshe Shelley The Revolt of Islam — Author's Preface (1818)

The Poem which I now present to the world is an attempt from which I scarcely dare to expect success, and in which a writer of established fame might fail without disgrace. It is an experiment on the temper of the public mind, as to how far a thirst for a happier condition of moral and political society survives, among the enlightened and refined, the tempests which have shaken the age in which we live.
Source: Wikisource

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