Summary

Portrait of R. M. Ballantyne R. M. Ballantyne The Pirate City: An Algerine Tale

The Dey leaped in and shut the door violently, just as his infuriated pursuers gained it, while Ashweesha, with cool precision, shot in the heavy bolts, and let down the ponderous bars.
Achmet sank exhausted on one of the couches of the vestibule, regardless of the din which was made by the mob outside in their vain endeavours to batter down the strong oaken door.
“Do not give way,” said Ashweesha, falling on her knees beside him, and resting his head tenderly on her shoulder, “there are many who love you in the city. Escape over the terraces to the house of Jacob the Jew.
Source: Gutenberg

Portrait of R. M. Ballantyne R. M. Ballantyne The Pirate City: An Algerine Tale

At the first sound of tumult, Achmet—who was seated at the time on his accustomed throne of judgment, ready to transact the ordinary business of the morning—sprang up and roused his pet lion to a sudden and towering pitch of fury by thrusting the point of his dagger into it. The result was that when the door burst open the huge creature sprang into the midst of the insurgents with a tremendous roar.
A volley of balls laid it low for ever, but the incident diverted attention for a moment from the Dey, and afforded him time to escape from the audience-chamber.
Source: Gutenberg

Portrait of R. M. Ballantyne R. M. Ballantyne The Pirate City: An Algerine Tale

The mask-ball was a very great affair indeed when it came off—which it did at the country residence of the French consul. The mansion, which was Mauresque in style, was splendidly decorated with flags of various nations, and the skiffa, with its sparkling fountain and graceful palmettas, was a perfect blaze of variegated lamps. These hung amid the foliage of the creepers that twined round the curved marble pillars, and their red garish light contrasted powerfully with the clear purity of the star-lit sky, which formed the natural roof of the skiffa.
Source: Gutenberg

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