Ralph Waldo Emerson

Ralph Waldo Emerson

Summary

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson English Traits — Character (1856)

Here was lately a cross-grained miser, odd and ugly, resembling in countenance the portrait of Punch, with the laugh left out; rich by his own industry; sulking in a lonely house; who never gave a dinner to any man, and disdained all courtesies; yet as true a worshipper of beauty in form and color as ever existed, and profusely pouring over the cold mind of his countrymen creations of grace and truth, removing the reproach of sterility from English art, catching from their savage climate every fine hint, and importing into their galleries every tint and trait of sunnier cities and skies
Source: Wikisource

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson English Traits — Character (1856)

Nothing savage, nothing mean resides in the English heart. They are subject to panics of credulity and of rage, but the temper of the nation, however disturbed, settles itself soon and easily, as, in this temperate zone, the sky after whatever storms clears again, and serenity is its normal condition.
A saving stupidity masks and protects their perception as the curtain of the eagle's eye. Our swifter Americans, when they first deal with English, pronounce them stupid
Source: Wikisource

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson English Traits — Character (1856)

These travellers are of every class, the best and the worst; and it may easily happen that those of rudest behavior are taken notice of and remembered. The Saxon melancholy in the vulgar rich and poor appears as gushes of ill-humor, which every check exasperates into sarcasm and vituperation. There are multitudes of rude young English who have the self-sufficiency and bluntness of their nation, and who, with their disdain of the rest of mankind, and with this indigestion and choler, have made the English traveller a proverb for uncomfortable and offensive manners.
Source: Wikisource

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