Summary

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson Essays: Second Series — Nominalist and Realist (1844)

No sentence will hold the whole truth, and the only way in which we can be just, is by giving ourselves the lie; Speech is better than silence; silence is better than speech; — All things are in contact; every atom has a sphere of repulsion; — Things are, and are not, at the same time; — and the like. All the universe over, there is but one thing, this old Two-Face, creator-creature, mind-matter, right-wrong, of which any proposition may be affirmed or denied.
Source: Wikisource

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson Essays: Second Series — Nominalist and Realist (1844)

The men of fine parts protect themselves by solitude, or by courtesy, or by satire, or by an acid worldly manner, each concealing, as he best can, his incapacity for useful association, but they want either love or self-reliance.
Our native love of reality joins with this experience to teach us a little reserve, and to dissuade a too sudden surrender to the brilliant qualities of persons. Young people admire talents or particular excellences; as we grow older, we value total powers and effects, as, the impression, the quality, the spirit of men and things. The genius is all.
Source: Wikisource

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson Essays: Second Series — Nominalist and Realist (1844)

As the master overpowered the littleness and incapableness of the performers, and made them conductors of his electricity, so it was easy to observe what efforts nature was making through so many hoarse, wooden, and imperfect persons, to produce beautiful voices, fluid and soul-guided men and women. The genius of nature was paramount at the oratorio.
This preference of the genius to the parts is the secret of that deification of art, which is found in all superior minds. Art, in the artist, is proportion, or, a habitual respect to the whole by an eye loving beauty in details.
Source: Wikisource

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