Robert Koldewey

Robert Koldewey

Summary

Portrait of Robert Koldewey Robert Koldewey The excavations at Babylon (1914)

In Babil, my favourite city, that I love, was the palace, the house the marvel of mankind, the centre of the land, the shining residence, the dwelling of Majesty, upon the Babil place in Babil, from Imgur-bel to the eastern canal Libil-ḫigalla, from the bank of the Euphrates to Aiburšabû, which Nabopolassar, King of Babylon, my father, my begetter, built of crude bricks and dwelt in it—in consequence of high waters its foundations had become weak, and owing to the filling up of the street of Babil the gateways of that palace had become too low.
Source: Gutenberg

Portrait of Robert Koldewey Robert Koldewey The excavations at Babylon (1914)

The colossal mass of the tower, which the Jews of the Old Testament regarded as the essence of human presumption, amidst the proud palaces of the priests, the spacious treasuries, the innumerable lodgings for strangers—white walls, bronze doors, mighty fortification walls set round with lofty portals and a forest of 1000 towers,—the whole must have conveyed an overwhelming sense of greatness, power, and wealth, such as could rarely have been found elsewhere in the great Babylonian kingdom.
Source: Gutenberg

Portrait of Robert Koldewey Robert Koldewey The excavations at Babylon (1914)

They were 7 metres thick and formed the junction between the northern advanced outworks and the earlier defences, of which the Ishtar Gateway is part. They guarded the approach to the gate. Manned by the defenders, the road was a real pathway of death to the foe who should attempt it. The impression of peril and horror was heightened for the enemy, and also for peaceful travellers, by the impressive decoration of long rows of lions advancing one behind the other with which the walls were adorned in low relief and with brilliant enamels.
Source: Gutenberg

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