Samuel Butler

“ Fascinated, however, as I at once was by its amazing interest and beauty, I had an ever-present sense of a something wrong, of a something that was eluding me, and of a riddle which I could not read. The more I reflected upon the words, so luminous and so transparent, the more I felt a darkness behind them, that I must pierce before I could see the heart of the writer—and this was what I wanted; for art is only interesting in so far as it reveals an artist. ”

“ Odyssey itself. When they ask me where are my monuments, I answer that they are within the coin, circumscribed by the small cincture of an inch and a half at most. For a coin is a city in little; he who looks on one beholds a people, an evidence of title, a whole civilisation with its buildings of every kind. Destroy these, but so long as a single one of its coins remains, the city though dead is yet alive, and the fact of its having had buildings that could become ruinous is as palpable as though the ruins themselves had come down to us. ”

“ It should go, however, without saying that much which is charming in a woman's work would be ridiculous in a man's, and this is eminently exemplified in the Odyssey. If a woman wrote it, it is as lovely as the frontispiece of this volume, and becomes, if less vigorous, yet assuredly more wonderful than the Iliad; if, on the other hand, it is by a man, the half Bayeux tapestry, half Botticelli's Venus rising from the sea, or Primavera, feeling with which it impresses us gives place to astonishment how any man could have written it. ”

“ The writer of the Odyssey is fierce as a tigress at times, but the feeling of the poem is on the whole exactly what Shelley says it is. Strength is felt everywhere even in the tenderest passages of the Iliad, but it is sweetness rather than strength that fascinates us throughout the Odyssey. It is the charm of a woman not of a man. ”

“ If he had still known enough to be able to write the Odyssey, he would have remembered more than the writer of the Odyssey shows any signs of having ever known.
A man, if he had taken it into his head (as the late Lord Tennyson might very conceivably have done) to represent Penelope as virtuous in spite of current scandalous stories to the contrary—a man, would not have made the suitors a band of lovers at all. ”

“ If the Odyssey was not written without laughter, so neither was it without tears. Now that I know the writer to have been a woman, I am ashamed of myself for not having been guided to my conclusion by the exquisitely subtle sense of weakness as well as of strength that pervades the poem, rather than by the considerations that actually guided me. ”

“ How could it be that a servant's hall bard should so often go hopelessly wrong with his men, and yet be so exquisitively right with every single one of his women? But still I did not catch it. It was not till I got to Circe that it flashed upon me that I was reading the work, not of an old man, but of a young woman—and of one who knew not much more about what men can and cannot do than I had found her know about the milking of ewes in the cave of Polyphemus. ”

“ Genius is an offence; like all other offences it must needs come, but woe to that man or woman through whom it comes, for he or she must pass through the Scylla and Charybdis of being either torn in pieces on the one hand, or so misunderstood on the other as to make the slipping through with life in virtue of such misrepresentation more mortifying than death itself. ”

“ The idea that the writer of the Odyssey would make Ulysses and his large body of men spend half a day in killing over a hundred goats on such a site need not be discussed seriously, I shall therefore pass it over without notice when I come to discuss the voyage of Ulysses. That it should be so confidently believed to be the island off the land of the Cyclopes serves as a warning to myself, inasmuch as it shows how easily people can bring themselves to accept any site for any scene if they make up their minds to do so. ”

“ How can I expect Homeric scholars to tolerate theories so subversive of all that most of them have been insisting on for so many years? It is a matter of Homeric (for my theory affects Iliadic questions nearly as much as it does the Odyssey) life and death for them or for myself. If I am right they have invested their reputation for sagacity in a worthless stock. What becomes, for example, of a great part of Professor Jebb's well-known Introduction to Homer—to quote his shorter title—if the Odyssey was written all of it at Trapani, all of it by one hand, and that hand a woman's? ”

“ I have heard say that a celebrated female authoress was discovered to be a woman by her having spoken of a two-foot ruler instead of a two-foot rule, but over minuteness of description is deeper and stronger evidence of unfamiliarity than mistaken nomenclature is.
Such mistakes and self-betrayals as those above pointed out enhance rather than impair the charm of the Odyssey. Granted that the Odyssey is inferior to the Iliad in strength, robustness, and wealth of poetic imagery, I cannot think that it is inferior in its power of fascinating the reader. ”

“ Who are the women in the Odyssey? There is Minerva, omnipresent at the elbows of Ulysses and Telemachus to keep them straight and alternately scold and flatter them. In the Iliad she is a great warrior but she is no woman: in the Odyssey she is a great woman but no warrior; we have, of course, Penelope—masterful nearly to the last and tossed off to the wings almost from the moment that she has ceased to be so; Euryclea, the old servant, is quite a match for Telemachus, "do not find fault, child," she says to him, "when there is no one to find fault with" (xx. 135) . ”

“ There is not a trace of the barocco in my frontispiece; we may be confident, therefore, that such women, though doubtless comparatively rare, yet existed, as they exist in Italy now, in considerable numbers. Is it a very great stretch of imagination to suppose that one among them may have shown to equal advantage whether as driver, washerwoman, or poetess? At the same time I think it highly probable that the writer of the Odyssey was both short and plain, and was laughing at herself, and intending to make her audience laugh also, by describing herself as tall and beautiful. ”

“ Not only does the writer shew a markedly greater both interest and knowledge when dealing with women, but she makes it plain that she is exceedingly jealous for the honour of her sex, and by consequence inexorable in her severity against those women who have disgraced it. Goddesses may do what they like, they are not to be judged by mortal codes; but a mortal woman who has fallen must die.
No woman throughout the Odyssey is ever laughed at. ”

“ If the Odyssey enforces one artistic truth more than another, it is that living permanent work in literature (and the same holds good for art and music) can only be done by those who are either above, or below, conscious reference to any rules or canons whatsoever—and in spite of Shakespeare, Handel, and Rembrandt, I should say that on the whole it is [Pg 268] more blessed to be below than above. ”

“ I shall not argue the question whether the Iliad and Odyssey are by the same person, inasmuch as if I convince the reader that the Odyssey was written by a woman and in Sicily, it will go without saying that it was not written by Homer; for there can be no doubt about the sex of the writer of the Iliad. The same canons which will compel us to ascribe the Odyssey to a woman forbid any other conclusion than that the Iliad was written by a man. ”

“ We would have any number of first-class geniuses in art literature and music, and yet have plenty of elbow room for ourselves. Our children too; they cannot show too many signs of genius, but at the same time we blame them if they do not get on in the world and make money as genius next to never does. Like the authoress of the Odyssey we are always wanting to have things both ways; we would have others be forgotten, and yet not be forgotten ourselves ”

“ But I doubt whether any writer in the whole range of literature (excepting, I suppose, Shakspeare) has succeeded in drawing a full length, life-sized, serious portrait of a member of the sex opposite to the writer's own.
It is admitted on all hands that the preponderance of interest in the Iliad is on the side of man, and in the Odyssey on that of woman. Women in the Iliad are few in number and rarely occupy the stage. True, the goddesses play important parts, but they are never taken seriously. ”

“ No man writing in pre-Christian times would have considered the guilt of the women to require so horrible a punishment. He might have ordered them to be killed, but he would not have carried his indignation to the point of making them first clean up the blood of their paramours. Fierce as the writer is against the suitors, she is far more so against the women. When the suitors are all killed, Euryclea begins to raise a cry of triumph over them, but Ulysses checks her. ”

“ A girl, such a girl as Nausicaa herself, young, unmarried, unattached, and without knowledge of what men commonly feel on such points, having by a cruel freak of fortune got her hero into such an awkward predicament, might conceivably imagine that he would argue as the writer of the Odyssey has made Ulysses do, but no man, except such a woman's tailor as could never have written the Odyssey, would have got his hero into such an undignified position at all, much less have made him talk as Ulysses is made to talk. ”

“ Butler of Shrewsbury, if it had been harder to understand, it would have been sooner understood—and yet I do not know; the Iliad is indeed much harder to understand, but scholars seem to have been very sufficiently able to misunderstand it.
Every scholar has read a Book or two of the Odyssey here and there; some have read the whole; a few have read it through more than once; but none that I have asked have so much as been able to tell me whether Ulysses had a sister or no—much less what her name was. ”

“ So much to show that the mind of man, unless when he is young and lovesick, turns more instinctively to man than to woman. And I am convinced, as indeed every one else is whether he or she knows it or no, that with the above exception, woman is more interested in woman. This is how the Virgin Mary has come to be Queen of Heaven, and practically of more importance than the Trinity itself in the eyes of the common people in Roman Catholic countries. For the women support the theologians more than the men do. ”

“ It is strange that the Odyssey, in which money is so constantly present to the mind of the writer, should show not even the faintest signs of having been written from a business point of view, whereas the Iliad, in which money appears but little, abounds with evidence of its having been written to take with a certain audience whom the writer both disliked and despised—and hence of having been written with an eye to money. ”

“ Possibly the way he laughs at women and teases them, not because he dislikes them, but because he enjoys playing with them, irritates her; she was not disposed to play on such a serious subject. We have seen how she retorts on him for having made a tripod worth three times as much as a good serviceable woman of all work. His utter contempt, again, for the gods, which he is at no pains to conceal, would be offensive to a writer who never permits herself to go beyond the occasional mild irreverence of the Vicar's daughter. ”

“ This, even when women are posing as men, is seldom difficult—indeed it is done almost [Pg 9] invariably with success as often as an anonymous work is published—and when any one writes with the frankness and spontaneity which are such an irresistible charm in the Odyssey, it is not only not difficult but exceedingly easy; difficulty will only arise, if the critic is, as we have all been in this case, dominated by a deeply-rooted preconceived opinion, and if also there is some strong à priori improbability in the supposition that the writer was a woman. ”

“ So they do, but it never occurred to me to ask myself whether men commonly write brilliant books in which the women are made more sensible than the men. Still dominated by the idea that the writer was a man, I conjectured that he might be some bard, perhaps blind, who lived among the servants much as the chaplain in a great house a couple of hundred years ago among ourselves. Such a bard, even though not blind, would only see great people from a distance, and would not mix with them intimately enough to know how they would speak and act among themselves. ”

“ One wonders how Ulysses could restrain himself from saying, "Well, Madam, if you cannot prove more successful as a guardian than you have been doing this many years past, the sooner you leave the house the better for Telemachus."
No great poet would compare his hero to a paunch full of blood and fat, cooking before the fire (xx. 24-28) . The humour, for of course it is humorously intended, is not man's humour, unless he is writing burlesque. This the writer of the Odyssey is not doing here, though she has intentionally approached it very nearly in a great part of the Phæacian episode. ”

“ Dismissing, therefore, the difficulty of supposing that any woman could write so wonderful a poem as the Odyssey, is there any à priori obstacle to our thinking that such a woman may have existed, say, B.C. 1000? I know of none. Greek literature does not begin to dawn upon us till about 600 B.C. Earlier than this date we have hardly anything except the Iliad, Odyssey, and that charming writer Hesiod. When, however, we come to the earliest historic literature we find that famous poetesses abounded. ”

“ Look at the Odyssey. Here is a poem in which the hero and heroine have been already married many years before it opens; from the first page to the last there is no young couple in love with one another, there is in fact nothing amatory in the poem, for though the suitors are supposed to be madly in love with Penelope, they never say or do anything that carries conviction as to their being so. We accept the fact, as we do the sagacity of Ulysses, because we are told it, not because we see it. ”