Summary

Portrait of Sax Rohmer Sax Rohmer Brood of the Witch-Queen

Sime stared at him.
"I don't understand—"
"I have a mission," said Dr. Cairn quietly. "It is to run to earth, to stamp out, as I would stamp out a pestilence, a certain thing—I cannot call it a man—Antony Ferrara. I believe, Sime, that you are at one with me in this matter?"
Sime drummed his fingers upon the table, frowning thoughtfully, and looking from one to the other of his companions under his lowered brows.
"With my own eyes," he said, "I have seen something of this secret drama which has brought you, Dr. Cairn, to Egypt; and, up to a point, I agree with you regarding Antony Ferrara.
Source: Gutenberg

Portrait of Sax Rohmer Sax Rohmer Brood of the Witch-Queen

He was about to switch on the reading lamp, for it was now too dark to write, when his mind wandered off along another channel of reflection. He found himself picturing Myra as she had looked the last time that he had seen her.
She was seated in Mr. Saunderson's garden, still pale from her dreadful illness, but beautiful—more beautiful in the eyes of Robert Cairn than any other woman in the world. The breeze was blowing her rebellious curls across her eyes—eyes bright with a happiness which he loved to see.
Source: Gutenberg

Portrait of Sax Rohmer Sax Rohmer Brood of the Witch-Queen

Robert Cairn went out into Half-Moon Street. The night was perfect, and the cloudless sky lavishly gemmed with stars. He walked on heedlessly, scarce noting in which direction. An awful conviction was with him, growing stronger each moment, that some mysterious menace, some danger unclassifiable, threatened Myra Duquesne. What did he suspect? He could give it no name. How should he act? He had no idea.
Sir Elwin Groves, whom he had seen that evening, had hinted broadly at mental trouble as the solution of Sir Michael Ferrara's peculiar symptoms.
Source: Gutenberg

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