Sidney Lanier

“ Somewhat, half song, half odor, forth did float,
As if a rose might somehow be a throat:
"When Nature from her far-off glen
Flutes her soft messages to men,
The flute can say them o'er again;
Yea, Nature, singing sweet and lone,
Breathes through life's strident polyphone
The flute-voice in the world of tone.
Sweet friends,
Man's love ascends
To finer and diviner ends
Than man's mere thought e'er comprehends
For I, e'en I,
As here I lie,
A petal on a harmony,
Demand of Science whence and why
Man's tender pain, man's inward cry,
When he doth gaze on earth and sky? ”

“ And what if behind me to westward the wall of the woods stands high?
The world lies east: how ample, the marsh and the sea and the sky!
A league and a league of marsh-grass, waist-high, broad in the blade,
Green, and all of a height, and unflecked with a light or a shade,
Stretch leisurely off, in a pleasant plain,
To the terminal blue of the main.
Oh, what is abroad in the marsh and the terminal sea?
Somehow my soul seems suddenly free
From the weighing of fate and the sad discussion of sin,
By the length and the breadth and the sweep of the marshes of Glynn. ”

“ What the artist doeth,
The Lord knoweth;
Knoweth the artist not?
Well-answered! — O dear artists, ye
— Whether in forms of curve or hue
Or tone your gospels be —
Say wrong `This work is not of me,
But God:' it is not true, it is not true.
Awful is Art because 'tis free.
The artist trembles o'er his plan
Where men his Self must see.
Who made a song or picture, he
Did it, and not another, God nor man.
My Lord is large, my Lord is strong:
Giving, He gave: my me is mine. ”

“ God wounds thee, heals thee whole again,
And calls thee trembling to thine Eve.
Wide-armed, thou dropp'st on knightly knee:
`Dear Love, Dear Freedom, go with me!'
VII. Then all the beasts before thee passed —
Beast War, Oppression, Murder, Lust,
False Art, False Faith, slow skulking last —
And out of Time's thick-rising dust
Thy Lord said, "Name them, tame them, Son;
Nor rest, nor rest, till thou hast done."
VIII. Ah, name thou false, or tame thou wrong,
At heart let no man fear for thee:
Thy Past sings ever Freedom's Song,
Thy Future's voice sounds wondrous free ”

“ Thy music sets my world at ease,
And melts my passion's mortal cry
In satisfying symphonies.
It soothes my accusations sour
'Gainst thoughts that fray the restless soul:
The stain of death; the pain of power;
The lack of love 'twixt part and whole;
The yea-nay of Freewill and Fate,
Whereof both cannot be, yet are;
The praise a poet wins too late
Who starves from earth into a star;
The lies that serve great parties well,
While truths but give their Christ a cross;
The loves that send warm souls to hell,
While cold-blood neuters take no loss ”

“ By all the mortal space 'twixt heaven and hell,
The soul's sad growth o'er stationary friends
Who hear us from our height not well, not well,
The slant of accident, the sudden bends
Of purpose tempered strong, the gambler's spell,
The son's disgrace, the plan that e'er depends
On others' plots, the tricks that passion plays
(I loving you, you him, he none at all) ,
The artist's pain — to walk his blood-stained ways,
A special soul, yet judged as general —
The endless grief of art, the sneer that slays,
The war, the wound, the groan, the funeral pall ”

“ Now the mother drops breath; she is dumb, and her heart goes dead for a space,
Till the motherhood, mistress of death, shrieks, shrieks through the glen,
And that place of the lashing is live with men,
And Maclean, and the gillie that told him, dash up in a desperate race.
Not a breath's time for asking; an eye-glance reveals all the tale untold.
They follow mad Hamish afar up the crag toward the sea,
And the lady cries: "Clansmen, run for a fee! —
Yon castle and lands to the two first hands that shall hook him and hold
Fast Hamish back from the brink!" ”

“ It was this quality, high and consecrate, as of a palmer with his vow, this knightly valiance, this constant San Greal quest after the lofty in character and aim, this passion for Good and Love, which fellows him rather with Milton and Ruskin than with the less sturdily built poets of his day, and which puts him in sharpest contrast with the school led by Swinburne — with Rossetti and Morris as his followers hard after him — a school whose reed has a short gamut, and plays but two notes, Mors and Eros, hopeless death and lawless love. But poetry is larger and finer than they know. ”

“ My dear father, think how, for twenty years, through poverty, through pain, through weariness, through sickness, through the uncongenial atmosphere of a farcical college and of a bare army and then of an exacting business life, through all the discouragement of being wholly unacquainted with literary people and literary ways — I say, think how, in spite of all these depressing circumstances, and of a thousand more which I could enumerate, these two figures of music and of poetry have steadily kept in my heart so that I could not banish them. ”

“ To dream He wrote the little song
I made to Him with love's unforced design!
Oh, not as clouds dim laws have plann'd
To strike down Good and fight for Ill, —
Oh, not as harps that stand
In the wind and sound the wind's command:
Each artist — gift of terror! — owns his will.
For thee, Cloud, — if thou spend thine all
Upon the South's o'er-brimming sea
That needs thee not; or crawl
To the dry provinces, and fall
Till every convert clod shall give to thee
Green worship ”

“ And one with the dreams of a prophet; and both sailed fast
And met where the sorrowful Soul on the earth was cast.
Then a Voice said: `Thine, if thou lovest enough to use;'
But another: `To fly and to sing is pain: refuse!'
Then the Soul said: `Come, O my wings! I cannot but choose.'
And the Soul was a-tremble like as a new-born thing,
Till the spark of the dawn wrought a conscience in heart as in wing,
Saying, `Thou art the lark of the dawn; it is time to sing.'
Then that artist began in a lark's low circling to pass ”

“ O marriage-bells, your clamor tells
Two weddings in one breath.
SHE marries whom her love compels:
— And I wed Goodman Death!
My brain is blank, my tears are red;
Listen, O God: — "I will," he said: —
And I would that I were dead.
Come groomsman Grief and bridesmaid Pain
Come and stand with a ghastly twain.
My Bridegroom Death is come o'er the meres
To wed a bride with bloody tears.
Ring, ring, O bells, full merrily:
Life-bells to her, death-bells to me:
O Death, I am true wife to thee!
____ Macon, Georgia, 1865. ”

“ Knowledge of Good and of Ill, O Land! she hath given thee;
Perilous godhoods of choosing have rent thee and riven thee;
Will's high adoring to Ill's low exploring hath driven thee —
Freedom, thy Wife, hath uplifted thy life and clean shriven thee!
Her shalt thou clasp for a balm to the scars of thy breast,
Her shalt thou kiss for a calm to thy wars of unrest,
Her shalt extol in the psalm of the soul of the West.
For Weakness, in freedom, grows stronger than Strength with a chain ”

“ To be thy knight until my dying day.'
Woe him that cunning trades in hearts contrives!
Base love good women to base loving drives.
If men loved larger, larger were our lives;
And wooed they nobler, won they nobler wives."
There thrust the bold straightforward horn
To battle for that lady lorn,
With heartsome voice of mellow scorn,
Like any knight in knighthood's morn.
"Now comfort thee," said he,
"Fair Lady.
For God shall right thy grievous wrong,
And man shall sing thee a true-love song,
Voiced in act his whole life long,
Yea, all thy sweet life long,
Fair Lady. ”

“ I am more than all perplexed by this fact, that the prime inclination, that is, natural bent (which I have checked, though) of my nature is to music; and for that I have the greatest talent; indeed, not boasting, for God gave it me, I have an extraordinary musical talent, and feel it within me plainly that I could rise as high as any composer. But I cannot bring myself to believe that I was intended for a musician, because it seems so small a business in comparison with other things which, it seems to me, I might do. ”

“ Thou that shouldst bear thy fruit, yet virgin live,
As she that bore a man yet sinned not,
Thou that shouldst challenge the most special eyes
Of Heaven and Earth and Hell to mark thee, since
Thou shouldst be Heaven's best captain, Earth's best friend,
And Hell's best enemy — false Pope, false Pope,
The world, thy child, is sick and like to die,
But thou art dinner-drowsy and cannot come:
And Life is sore beset and crieth `help!'
But thou brook'st not disturbance at thy wine:
And France is wild for one to lead her souls ”

“ The life of yon trim Shakespeare on the tree?
Tampa Robins.
The robin laughed in the orange-tree:
"Ho, windy North, a fig for thee:
While breasts are red and wings are bold
And green trees wave us globes of gold,
Time's scythe shall reap but bliss for me
— Sunlight, song, and the orange-tree.
Burn, golden globes in leafy sky,
My orange-planets: crimson I
Will shine and shoot among the spheres
(Blithe meteor that no mortal fears)
And thrid the heavenly orange-tree
With orbits bright of minstrelsy. ”

“ In soul and stature larger than thy kind,
Still more to this strong Form might'st liken thee,
Till thy whole Self in every fibre find
The tranquil lordship of thy chestnut tree.
____ Tampa, Florida, February, 1877.
An Evening Song.
Look off, dear Love, across the sallow sands,
And mark yon meeting of the sun and sea,
How long they kiss in sight of all the lands.
Ah! longer, longer, we.
Now in the sea's red vintage melts the sun,
As Egypt's pearl dissolved in rosy wine,
And Cleopatra night drinks all. 'Tis done,
Love, lay thine hand in mine. ”

“ Cried Love, unarmed, yet dauntless there,
"Come on, God pity thee! — I fight
Sans sword, sans shield; yet, Hate, beware!"
VII. Spurred furious Hate; he foamed at mouth,
His breath was hot upon the air,
His breath scorched souls, as a dry drought
Withers green trees and burns them bare.
VIII. Straight drives he at his enemy,
His hairy hands grip lance in rest,
His lance it gleams full bitterly,
God! — gleams, true-point, on Love's bare breast!
IX. Love's grey eyes glow with a heaven-heat,
Love lifts his hand in a saintly prayer;
Look! Hate hath fallen at his feet! ”

“ Shines to his fellows o'er the firmament —
Oh! as thou liv'st in all this sky and sea
That likewise lovingly do live in thee,
So melt my soul in thee, and thine in me,
Divine Tranquillity!
Gray Pelican, poised where yon broad shallows shine,
Know'st thou, that finny foison all is mine
In the bag below thy beak — yet thine, not less?
For God, of His most gracious friendliness,
Hath wrought that every soul, this loving morn,
Into all things may be new-corporate born,
And each live whole in all: I sail with thee,
Thy Pelican's self is mine ”

“ I have come ere the dawn, O beloved, my live-oaks, to hide
In your gospelling glooms, — to be
As a lover in heaven, the marsh my marsh and the sea my sea.
Tell me, sweet burly-bark'd, man-bodied Tree
That mine arms in the dark are embracing, dost know
From what fount are these tears at thy feet which flow?
They rise not from reason, but deeper inconsequent deeps.
Reason's not one that weeps. ”

“ Till fathomless waters cover thee!
For I am living but thou art dead;
Thou drawest back, I strive ahead
The Day to find.
Thy shells unbind! Night comes behind,
I needs must hurry with the wind
And trim me best for sailing.
____ Macon, Georgia, 1867.
Night.
Fair is the wedded reign of Night and Day.
Each rules a half of earth with different sway,
Exchanging kingdoms, East and West, alway.
Like the round pearl that Egypt drunk in wine,
The sun half sinks i' the brimming, rosy brine:
The wild Night drinks all up: how her eyes shine! ”

“ In arms' reach, here be Dante, Keats, Chopin,
Raphael, Lucretius, Omar, Angelo,
Beethoven, Chaucer, Schubert, Shakespeare, Bach,
And Buddha (sweetest masters! Let me lay
These arms this once, this humble once, about
Your reverend necks — the most containing clasp,
For all in all, this world e'er saw!) and there,
Yet further on, bright throngs unnamable
Of workers worshipful, nobilities
In the Court of Gentle Service, silent men,
Dwellers in woods, brooders on helpful art,
And all the press of them, the fair, the large,
That wrought with beauty. ”

“ As withdrawn from a vision of deeds it were shame to see.
"Now, now, grim henchman, what is't with thee?"
Brake Maclean, and his wrath rose red as a beacon the wind hath upblown.
"Three does and a ten-tined buck made out," spoke Hamish, full mild,
"And I ran for to turn, but my breath it was blown, and they passed;
I was weak, for ye called ere I broke me my fast."
Cried Maclean: "Now a ten-tined buck in the sight of the wife and the child
I had killed if the gluttonous kern had not wrought me a snail's own wrong!" ”

“ A poet genius has great common sense. He lives in to-day and to-morrow, not in yesterday. Such men were Shakespeare and Goethe. The age of poetry is not past; there is nothing in culture or science hostile to it. Milton was one of the world's great poets, but he was the most cultured and scholarly and statesmanlike man of his day. He was no dreamer of dead dreams. Neither was Lanier a dreamer. He came late to the opportunity he longed for, but when he came to it he was a tremendous student, not of music alone, but of language, of philosophy, and of science. He loved science. ”

“ Would richly glut each void where man hath lacked
Of grace or bread? — or, How may Power deny
Wholeness to th' almost-folk that hurt our hope —
These heart-break Hamlets who so barely fail
In life or art that but a hair's more scope
Had set them fair on heights they ne'er may scale? —
Somehow by thee, dear Love, I win content:
Thy Perfect stops th' Imperfect's argument.
IV. By the more height of thy sweet stature grown,
Twice-eyed with thy gray vision set in mine,
I ken far lands to wifeless men unknown,
I compass stars for one-sexed eyes too fine. ”

“ Now by each knight that e'er hath prayed
To fight like a man and love like a maid,
Since Pembroke's life, as Pembroke's blade,
I' the scabbard, death, was laid,
Fair Lady,
I dare avouch my faith is bright
That God doth right and God hath might.
Nor time hath changed His hair to white,
Nor His dear love to spite,
Fair Lady.
I doubt no doubts: I strive, and shrive my clay,
And fight my fight in the patient modern way
For true love and for thee — ah me! and pray
To be thy knight until my dying day,
Fair Lady. ”