Edwin Mims

Summary

Edwin Mims,  Sidney Lanier

“ Just as our little spheres of activity in life surely combine into some greater form or purpose which none of us dream of, and which no one can see save some unearthly spectator that stands afar off in space and looks upon the whole of things, — I was impressed anew with the fact that it is the poet who must get up to this point and stand off in thought at the great distance of the ideal, look upon the complex swarm of purposes as upon these dancing gnats, and find out for man the final form and purpose of man's life. ”
Source: Gutenberg

Edwin Mims,  Sidney Lanier

“ The imperfect poems, the unfinished poems, the sheaves unharvested, not like Coleridge's for lack of will, but for lack of time, are suggestive of one of the finest aspects of romantic art. "I would rather fail at some things I wot of than succeed at others," said Lanier. There are moods when the imperfection of Lanier pleases more than the perfection of Poe — even from the artistic standpoint. What he aspired to be enters into one's whole thought about his life and his art. The vista of his grave opens up into the unseen world. ”
Source: Gutenberg

Edwin Mims,  Sidney Lanier

“ Double-bass was a big fellow, with a black mustache, to whom life was all a joke, which he expressed by a comical smile, and Viola was a young Hercules, so full of beer that he dreamed himself in heaven, and Oboe was a young sprig, just out from Munich, with a complexion of milk and roses, like a girl's, and miraculously bright spectacles on his pale blue eyes, and there they sat — Oboe and Viola and Double-bass — and ogled each other, and raised their brows, and snickered behind the columns, without a suspicion of interest either in the music or the service. ”
Source: Gutenberg

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