Stuart Pratt Sherman

Summary

Stuart Pratt Sherman,  My dear Cornelia (1924)

“ As I stepped into the clear soft blueness of the candlelit apartment, Cornelia rose, a silvery shimmer, from the settee where she had been chatting with Oliver Junior, and, approaching with Artemisian stride, greeted me with her finished graciousness. The artistic perfection of it might subtly pain a sensitive heart, were it not for the intimate reassurance imparted by the rippling overtones of her voice, which resolves art into intoxication and curiously persuades a man in evening dress, in the heart of the city, that he is standing in the midst of a garden full of flowers. ”
Source: Gutenberg

Stuart Pratt Sherman,  My dear Cornelia (1924)

“ And I stand by the novelists, even by the Emetic School, as showing where the movement halts: in blind alleys, against iron necessities, in miasmic swamps, in ennui, in despair, in disgust unfathomable. You cannot guess, Cornelia; without years of such reading as I am happily certain you will never undertake, you cannot understand what comfort and reassurance I find in the fathomless disgust exhibited in our most advanced novelists—disgust for the life that is dedicated to sex. The disgust of the novelists upholds the splendor of the Church and the majesty of the Law. ”
Source: Gutenberg

Stuart Pratt Sherman,  My dear Cornelia (1924)

“ Cornelia smiled, and then abruptly became very firm and grave. “That is it,” she said. “That is exactly it—‘how to catch a man’! And the dreadful thing is that the tone of our entire popular discussion and our popular literature is just about at that level—as if the mere possession of anything in the shape of a man were so unquestionably desirable that no scruple must be raised regarding his family and social position, his religion and principles of personal conduct, his property and prospects and professional standing. We are becoming absurd in our carelessness about such matters.” ”
Source: Gutenberg

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