Stuart Pratt Sherman, My dear Cornelia (1924)
“ As I stepped into the clear soft blueness of the candlelit apartment, Cornelia rose, a silvery shimmer, from the settee where she had been chatting with Oliver Junior, and, approaching with Artemisian stride, greeted me with her finished graciousness. The artistic perfection of it might subtly pain a sensitive heart, were it not for the intimate reassurance imparted by the rippling overtones of her voice, which resolves art into intoxication and curiously persuades a man in evening dress, in the heart of the city, that he is standing in the midst of a garden full of flowers. ”
