“ Why, there's not a contract made that one cannot get around in some way! What do people make contracts for? Don't use your contract as a weapon with which to murder me. I am not afraid of your contracts! Let me go with you, Oscar! We'll see if he as much as mentions a breach of contract. He won't do it or I am a poor judge of human nature. And if he does object, it will still be time for me to die.Gerardo. But we have no right to possess each other, Helen! You are as little free to follow me as I am to assume such a responsibility. I do not belong to myself; I belong to my art ... ”
Summary
The German Classics, v. 20, an anonymous volume in a series, presents a collection of dramatic narratives exploring themes of artistic struggle, emotional conflict, and existential tension. Featuring characters such as the tormented artist Gerardo, the resolute Hella, and the enigmatic Clarissa, the work delves into relationships strained by duty, passion, and moral ambiguity.
Set against backdrops of fireplaces, sofas, and symbolic gardens, its dialogues intertwine legal disputes, romantic despair, and metaphysical reflections. The text’s structure, echoing theatrical monologues and poetic interludes, reflects a preoccupation with human frailty and the search for meaning amid societal and personal constraints.
Quotes from The German Classics, v. 20 ()
“ Hella. You are too good for a woman of the dead level! See here, Paul, I have at times made life a burden to you, I now and then refused to enter upon many things just because my head was full of ideas, possibly I have been too prone to disregard your emotional nature.Paul. Hella, do not remind me of that!Hella. We must come to an understanding, Paul! All of that may be true. And there shall be a change. There will be a change, that much I promise you today, but show me the kindness, pack your things and come with me! Today rather than tomorrow! ”
“ Paul. The sun of New Year's Eve ... Did you see it too?Antoinette. When it was down, the gloaming afforded me light, and later the snow.Paul (sadly with a touch of roguishness) . Dearest, when the sun is down, there is nothing left to give light.Antoinette. Indeed, my beloved, indeed! Then come the stars. They are finer.Paul. Do you believe in the stars?Antoinette. You heretic, I believe!...Paul. Still believe in heaven and hell?Antoinette. No longer for us. For us, the stars.Paul. Do you think so? For us?Antoinette. For us and lovers such as we are!Paul. How do you know that? ”
