Thomas Seccombe

Summary

Thomas Seccombe Dictionary of National Biography… (1912)

Meredith's novels are more like Platonic dialogues than works of fiction. His characters have as a rule singularly little volition or speech of their own. The voice of their creator can be heard perpetually prompting them from behind a screen. The poems fill the interstices of thought in the novels. Oscar Wilde said with some point that Meredith had mastered everything but language: as a novelist he could do anything except tell a story, as an artist he was everything except articulate.
Source: Wikisource

Thomas Seccombe Dictionary of National Biography… (1912)

In 1863, while still at Copsham, Meredith reconcentrated upon fiction, and submitted to the gradual intensification of labour which the completion of a novel always involved. In April 1864 he brought out 'Emilia in England' (afterwards rechristened 'Sandra Belloni') , the only story which he furnished with a sequel (in 'Vittoria,' 1866) . Emilia's passion for Italy forms the central theme of the whole. Her figure, the most beautiful and elaborate he had yet portrayed, dominates the two novels. Nowhere are the gems of his insight more lavishly scattered. There are admirable woodland scenes.
Source: Wikisource

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