Summary

Various,  Chambers's Edinburgh Journal, No…

“ Archibald, evening after evening, walked up from Islington, not to talk or reason—he dared not do that in Cola's present state—but to sit quietly in the painting-room, watching his labours, and at times encouraging them with a few subdued words of praise, which Cola sometimes scarcely heard. Even M'Kaye was astounded by the almost miraculous way in which, day after day, the picture advanced to completion beneath the young artist's hand; and as he looked, he could not but acknowledge that there is nothing in this world so strong, so daring, so all-powerful as genius. ”
Source: Gutenberg

Various,  Chambers's Edinburgh Journal, No…

“ But we would not have her rely upon genius alone, or consider 'Cola Monti' as anything more than a promise or a pledge. It is like a gleam of light disclosing partially, and for a moment, a scene which in some measure owes its beauty and value to the mind of the beholder. It is suggestive of high thoughts, fine aspirations, sad memories. It throws the intellectual man back into his experiences, and impels the daring and generous youth forward in the path of his hopes and resolves. ”
Source: Gutenberg

Various,  Chambers's Edinburgh Journal, No…

“ I wish that truth would enable me to endow my heroine with that best letter of introduction—personal beauty; but what girl of her age was ever even pretty? The beautiful roundness of the features of childhood is past, and the skeleton only of womanhood has succeeded it: hence the falling-in chest, the long, thin arms, the bony ankles, the squareness of figure, and, above all, the vacant or anxious school-girl face. It is utterly impossible to conjure up beauty out of such materials; they belong less to the individual than to the age, and nothing short of time itself can remedy the evil. ”
Source: Gutenberg

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