Various

“ At Corinth it is followed, not by democracy but by oligarchy, and it is an oligarchy that lasts, with a brief interruption, for two hundred and fifty years. At Athens it is not immediately preceded by oligarchy. Between the Eupatrid oligarchy and the rule of Peisistratus there comes the timocracy of Solon. These exceptions do not stand alone. The cause of tyranny is, in one sense, uniform. In the earlier centuries, at any rate, tyranny is always the expression of discontent; the tyrant is always the champion of a cause. ”

“ Greek literature was The arts. no longer synonymous with epic poetry. Some of its most distinctive forms had not yet been evolved; indeed, it is only quite at the end of the period that prose-writing begins; but both lyric and elegiac poetry had been brought to perfection. In art, statuary was still comparatively stiff and crude; but in other branches, in architecture, in vase-painting and in coin-types, the aesthetic genius of the race had asserted its pre-eminence. Philosophy, the supreme gift of Greece to the modern world, had become a living power. ”

“ When the decay of the high ethical art of Greece sets in, the gods become more and more warped to the merely human level. They lose their dignity, but they never lose their charm.
The decorative sculpture of Greece consists not of single figures, but of groups; and in the arrangement of these groups the strict Greek laws of symmetry, of rhythm, and of balance, come in. We will take the three most usual forms, the pediment, the metope and the frieze, all of which belong properly to the temple, but are characteristic of all decoration, whether of tomb, trophy or other monument. ”

“ There can be little doubt that Athens owed its great start in art to the influence of the court of Peisistratus, at which artists of all kinds were welcome. We can trace a gradual transformation in sculpture, in which the influence of the Chian and other progressive schools of sculpture is visible, not only in the substitution of island marble for native stone, but in increased grace and truth to nature, in the toning down of glaring colour, and the appearance of taste in composition. ”

“ If we would judge fairly of tyranny, and of what it contributed to the development of Greece, we must remember how many states there were in whose history the period of greatest power coincides with the rule of a tyrant. This is unquestionably true of Corinth and Sicyon, as well as of Syracuse in the 5th, and again in the 4th century; it is probably true of Samos and Miletus. In the case of Athens it is only the splendour of the Great Age that blinds us to the greatness of the results achieved by the policy of the Peisistratids. ”

“ The Greeks have always been a maritime people, and the real centre of the national life is now, as in antiquity, the Aegean Sea or Archipelago. Thickly studded with islands and bordered by deeply indented coasts with sheltered creeks and harbours, the Aegean in the earliest days of navigation invited the enterprise of the mariner; its shores, both European and Asiatic, became covered with Greek settlements and its islands, together with Crete and Cyprus, became Greek. True to their maritime instincts, the Greeks rarely advanced inland to any distance from the sea ”

“ On the other hand, the independent character of the Greeks is favourably illustrated by the circumstance that Greece is the only country in the Balkan peninsula in which the government cannot count on securing a majority by official pressure at the elections. Few scruples are observed in political warfare, but attacks on private life are rare. The love of free discussion is inherent in the strongly-rooted democratic instinct of the Greeks. They are in spirit the most democratic of European peoples; no trace of Latin feudalism survives, and aristocratic pretensions are ridiculed. ”

“ The social aspect of Greek life henceforward becomes its most attractive feature. After a long period of storm and stress, the European Hellenes had relapsed into a quiet and resigned frame of mind which stands in sharp contrast on the one hand with the energy and ability, and on the other with the vulgar intriguing of their Asiatic kinsmen. Seeing no future before them, the inhabitants were content to dwell in contemplation amid the glories of the past. National pride was fostered by the undisguised respect with which the leading Romans of the age treated Hellenic culture. ”

“ In any broad view of history, the products of the various arts practised by a people constitute an objective and most important record of the spirit of that people. But all nations have not excelled in the same way: some have found their best expression in architecture, some in music, some in poetry. The Greeks most fully embodied their ideas in two ways, first in their splendid literature, both prose and verse, and secondly, in their plastic and pictorial art, in which matter they have remained to our days among the greatest instructors of mankind. ”

“ To the scholars of a generation ago it seemed a thing incredible that the art of the shaft-graves, and the architecture of the beehive-tombs and the palaces, could belong to the age before the Dorian invasion. The most recent discoveries seem to indicate that the art of Mycenae is a decadent art; they certainly prove that an art, hardly inferior in its way to the art of the classical period, and a civilization which implies the command of great material resources, were flourishing in the Aegean perhaps a thousand years before the siege of Troy. ”

“ The history of Hellenism had begun. It was the rise of Cyrus that closed the East to Greek enterprise and Greek influences. In Persia we find the antithesis of all that is characteristic of Greece—autocracy as opposed to liberty; a military society organized on an aristocratic basis, to an industrial society, animated by a democratic spirit; an army, whose strength lay in its cavalry, to an army, in which the foot-soldier alone counted; a morality, which assigned the chief place to veracity, to a morality which subordinated it to other virtues ”

“ They helped to break down the power of the old aristocratic houses, and thus to create the social and political conditions indispensable to democracy. The tyrannis involved the sacrifice of liberty in the cause of equality. When tyranny falls, it is never succeeded by the aristocracies which it had overthrown. It is frequently succeeded by an oligarchy, but it is an oligarchy in which the claim to exclusive power is based, not upon mere birth, but upon wealth, or the possession of land. ”

“ A society which regarded the slave as a mere chattel would have been impatient of the interest shown in a swineherd and a nurse. It is a society, too, that exhibits many of the distinguishing traits of later Greek life. Feasting and quarrels, it is true, are of more moment to the heroes than to the contemporaries of Pericles or Plato; but “music” and “gymnastic” (though the terms must be understood in a more restricted sense) are as distinctive of the age of Homer as of that of Pindar. ”

“ Every visitor to the museum of the Athenian acropolis stands astonished at the recently recovered groups which decorated the pediments of Athenian temples before the age of Peisistratus—groups of large size, rudely cut in soft stone, of primitive workmanship, and painted with bright red, blue and green, in a fashion which makes no attempt to follow nature, but only to produce a vivid result. ”

“ And gradually, in the course of the century, we see both in the painting of vases and in sculpture a national spirit and a national style forming under the influence of Greek religion and mythology, Greek athletic training, Greek worship of beauty. We must here lay emphasis on the fact, which is sometimes overlooked in an age which is greatly given to the Darwinian search after origins, that it is one thing to trace back to its original sources the nascent art of Greece, and quite another thing to follow and to understand its gradual embodiment of Hellenic ideas and civilization. ”

“ Among all the discoveries made at Olympia, none has become so familiar to the artistic world as that of the Hermes of Praxiteles. It is the first time that we have become possessed of a first-rate Greek original by one of the greatest of sculptors. Hitherto almost all the statues in our museums have been either late copies of Greek works of art, or else the mere decorative sculpture of temples and tombs, which was by the ancients themselves but little regarded. ”

“ The victory over the giants clearly stands for the victory of Greek civilization over Gallic barbarism; and this meaning is made more emphatic because the gods are obviously inferior in physical force to their opponents, indeed, a large proportion of the divine combatants are goddesses. Yet everywhere the giants are overthrown, writhing in pain on the ground, or transfixed by the weapons of their opponents; everywhere the gods are victorious, yet in the victory retain much of their divine calm. The piecing together of the frieze at Berlin has been a labour of many years ”

“ Where the tyrant asserted the claims of an oppressed class, he consciously aimed at the destruction of privilege and the effacement of class distinctions. Hence it is unjust to treat his power as resting upon mere force. A government which can last eighty or a hundred years, as was the case with the tyrannies at Corinth and Sicyon, must have a moral force behind it. It must rest upon the consent of its subjects. The second service which the tyrants rendered to Greece was a political one. Their policy tended to break down the barriers which isolated each petty state from its neighbours. ”

“ As the literature of Greece is composed in a particular language, the grammar and the syntax of which have to be studied before the works in poetry and prose can be read, so Greek works of art are composed in what may be called an artistic language. To the accidence of a grammar may be compared the mere technique of sculpture and painting: to the syntax of a grammar correspond the principles of composition and grouping of individual figures into a relief or picture. ”

“ Every one knows how noble are the pedimental sculptures of the Parthenon. But we know no reason why they should be so vastly superior to the frieze from Phigalia; nor why the heads from the temple at Tegea should be so fine, while those from the contemporary temple at Epidaurus should be comparatively insignificant. From the records of payments made to the sculptors who worked on the Erechtheum at Athens it appears that they were ordinary masons, some of them not even citizens, and paid at the rate of 60 drachms (about 60 francs) for each figure, whether of man or horse, which they produced. ”

“ Political power is monopolized by a class of nobles, whose claim to govern is based upon birth and the possession of land, the most valuable form of property in an early society. Sometimes power is confined to a single clan (e.g. the Bacchiadae at Corinth) ; more commonly, as at Athens, all houses that are noble are equally privileged. In every case there is found, as the adviser of the executive, a Boulē, or council, representative of the privileged class. Without such a council a Greek oligarchy is inconceivable. The relations of the executive to the council doubtless varied. ”

“ The figure is of astounding force; but though the face is brutal and the expression savage, in the sweep of the limbs there is nobility, even ideal beauty. To the last the Greek artist could not set aside his admiration for physical perfection. Another bronze figure of more than life-size is that of a king of the Hellenistic age standing leaning on a spear. He is absolutely nude, like the athletes of Polyclitus. Another large bronze presents us with a Hellenistic type of Dionysus. ”

“ By the end of the Great Age oligarchy has almost disappeared from the Greek world, except in the sphere of Persian influence. The Spartan monarchy still survives; a few Peloponnesian states still maintain the rule of the few; here and there in Greece itself we meet with a revival of the tyrannis; but, with these exceptions, democracy is everywhere the only type of constitution. And democracy has developed as well as spread. ”