Summary

Various Graham's Magazine, Vol. XLI, No…

The homefires you had thought to kindle so brightly on your hearth, are all smothered and smouldering. Only dry ashes before you: no blaze; no warmth. A vacant chair stands beside your own.
You seize your hat, and rush out to breathe out your still grief upon the winds—hoping, perchance, they may waft it to her ears.
—And this is your first disappointment—your first great grief. Would to God—you say—it may be your last!
—Bubbles—all bubbles, thought I, as the wind shrieked at the crevices of the Old Garret again. When do we stop blowing them?—and when do they stop bursting?
Source: Gutenberg

Various Graham's Magazine, Vol. XLI, No…

Mabel heard his words with a beating heart, each moment her cheek grew paler, but in her eye and on her lip there rested a look of calm, almost sublime self-sacrifice, a firm resolve to obey the dictates of that still, small voice within.
“Walter,” she said, in a tone so low and solemn that he was awed—“Walter, you must never breathe to human ear the secret of our mutual love; it would kill Evelyn, she is your plighted wife; would you snap the frail thread of her young life; your promise to that dying man forbids it, your own conscience forbids it.
Source: Gutenberg

Various Graham's Magazine, Vol. XLI, No…

One poetry is that of truth, the other that of fancy. The poetry of truth and real affinity is God’s own beauty: through the poetic harmony and relationship that reigns throughout the universe, can we arrive at the knowledge of God; through that do we see him in his works, and through that do we gradually rise to the homage of veneration: whilst the poetry of only fancy prompts us to create our own beauty, despising the guidance of veneration; to overlook the divine intellect in its works, and to accustom ourselves to the neglect of religion and principle, in our contemplations.
Source: Gutenberg

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