Various

“ The washerwomen, as the sun sets upon their labors, and they go wearily homeward; the digger, at his lonely task, who can pause but an instant to wipe the sweat from his brow; the sewing-women bending over their work, while every nerve and muscle are strained by the unremitting toil; the girl tending her geese; the woman her cows:—such are the subjects of his masterly pencil. Do not all these facts point to the realization of Christian democracy? If the king is now but the servant of the people, so the artist who is royal in the kingdom of the mind finds his true glory in serving humanity. ”

“ Those who had once sworn by her swore by her still, and were loath to admit even to themselves that her early style of acting—easy, flowing, impulsive, the natural translation in action of a strong and imaginative nature—must remain what, in the long absence of the actress, it had become, a beautiful tradition of the stage,—that her present personations were wanting in force and spontaneity,—that they were efforts, rather than inspirations,—were marked by a weary tension of thought,—were careful, but not composed, roughened by unsteady strokes of genius, freshly furrowed with labor. ”

“ The waiter invariably brings to every table a chafing-dish with a burning coal, which will light a cigar long after its outer glow has subsided into ashy white. Some humans retain this kindling power;—vide Ninon and the ancient Goethe;—it is the heart of fire, not the flame of beauty, that does it. When one goes home, tired, at ten or eleven, the company shows no sign of thinning, nor does one imagine how the ground is ever cleared, so as to allow an interval of sleep between the last ice at night and the first coffee in the morning. ”

“ Brides should wear mourning,—the bells should toll for every wedding; every new family is built over this awful pit of despair, and only one in a thousand escapes!"
Pale, aghast, horror-stricken, Mary stood dumb, as one who in the dark and storm sees by the sudden glare of lightning a chasm yawning under foot. It was amazement and dimness of anguish;—the dreadful words struck on the very centre where her soul rested. She felt as if the point of a wedge were being driven between her life and her life's life,—between her and her God. ”

“ Bessie dreamed of merry games and quiet rambles and country fêtes with the gay Sir Harry; but Zelma, when at last she slept, dreamed of wandering with her adventurous lover from province to province,—then of playing Juliet to his Romeo before a vast metropolitan audience.
Days went on, and Bessie's pure, transparent nature, a lily-bud of sweetest womanhood, seemed unconsciously revealing itself, leaf by leaf, to all the world, and blooming out its beautiful innermost life; but Zelma's secret still smouldered in her shut heart, never by any chance flaming up to her lips in words. ”

“ Through that one gap of sorrow flowed in the whole awful mystery of existence, and silently, as she spun and sewed, she thought over and over again all that she had ever been taught, and compared and revolved it by the light of a dawning inward revelation.
Sorrow is the great birth-agony of immortal powers,—sorrow is the great searcher and revealer of hearts, the great test of truth; for Plato has wisely said, sorrow will not endure sophisms,—all shams and unrealities melt in the fire of that awful furnace. Sorrow reveals forces in ourselves we never dreamed of. ”

“ We can wait fifty years more for a biography of Allston, because something of his gracious presence yet lingers among us; but we can touch Scheffer only with the burin or the pen. So we shall throw in our mite to fill up this chasm. A few gleanings from current French literature, a few anecdotes familiarly told of the great artist, and the vivid recollection of one short interview are all the aids we can summon to enable our readers to call up in their own minds a living image which will answer to the name that has so long been familiar to our lips and dear to our hearts. ”

“ To the eye of sense and to shallow infidelity, this may seem absurd; but the foolishness of man is the wisdom of God to the salvation of His erring children. Happy, indeed, are the initiated! Blessed are the poor in spirit, the Pariah, and the slave,—all they whose eyes are veiled with overshadowing sorrow! for only thus is revealed the glory of human life!
There are many things, kind reader, which, in our senseless staring, we may call the signs of human weakness, but which, by a higher interpretation, become revelations of human power. ”

“ Two American artists stood with us in that room: one a fair young girl, whose purity of soul was mirrored in her beautiful face, who had gone to Paris to continue her studies in an art which she loved as she did her life; the other, a man of mature age, whose high and reverent genius has always met with a loving and faithful appreciation among his countrymen, which does them as much honor as it did him. The young girl lay down to die amid her labors, and her frail body rests amid the flowers and trees of Montmartre; the grown man came home but to bid farewell to home, friends, and life ”

“ Bury's presence of mind and command over her emotions, that she was not visibly discomposed by this strange and touching appeal, or by the laughter and applause it called forth, but finished her sad part, and was Juliet to the last.
When, obeying the stormy summons of the audience, the lovers arose from the dead, and glided ghost-like before the curtain, Zelma, really pale with the passion and woe of her part, glanced eagerly at the box in which she had beheld her friends;—it was empty. ”

“ As Zelma bent and smiled in modest acknowledgment of renewed applause, led by royalty itself,—her aspirations so speedily fulfilled, her genius so early crowned,—even at that supreme moment, the grief of the woman would have outweighed the triumph of the artist, and saddened all those plaudits into knell-like sounds, could she have known that the miserable fiends of envy and jealousy had grasped her husband's heart and torn it out of her possession forever. ”

“ To man, all Nature must be human in some soul. God himself is worshipped under a human phase; and it is here that Christianity, the flower of all Faith, furnishes the highest answer and realization of this world-riddle of the Sphinx,—here that it rests its eternal Truth, even as here it secures its unfailing appeal to the human heart!
The process by which any nature is realized is the process by which it is humanized. Thus are all things given to us for an inheritance. Let it be, that, apart from us, the universe sinks into insignificance and nothingness ”

“ There is but just one thing remaining, and that is, as Candace said, the cross of Christ. If God so loved us,—if He died for us,—greater love hath no man than this. It seems to me that love is shown here in the two highest forms possible to our comprehension. We see a Being who gives himself for us,—and more than that, harder than that, a Being who consents to the suffering of a dearer than self. Mary, I feel that I must love more, to give up one of my children to suffer, than to consent to suffer myself. ”

“ Very soon the young actor's aspiring soul rose above all secondary parts, dropped Mercutio and Horatio for Romeo and Hamlet, and had not the sense to see that he was getting utterly out of his element, dashing with silken sails into the tempest of tragedy, soaring on Icarian wings over its profoundest deeps and into the height and heat of its intensest passion.
Yet with the young, the unthinking, the eager, the curious, it was then as it is now and ever shall be,—confidence easily passed for genius, and presumption for power. ”

“ Not to Demeter, then, nor even to Isis, do the Eleusinia primarily point, but to the human heart. We no longer look at them; henceforth they are within us. Long has this mystic mother, the wonder of the world, waited for the revelation of her face. Let us draw aside the veil, (not by mortal hand,—it moves at your will,) and listen:—
"I am the First and the Last,—mother of gods and men. As deep as is my mystery, so deep is my sorrow. For, lo! all generations are mine. ”

“ Yet it is a work of great skill and beauty. The difficult theme is managed with that moderation and good taste which recognize the true limits of the art. The crowd of spirits which Dante so powerfully describes as driven by the wind without rest are only dimly seen in the background. The horrors of hell are shown only in the anguish of those faces, in the despairing languor of the attitude, which not even mutual love can lighten. The love which made them one in guilt, one in condemnation, is stronger than death, stronger than hell ”

“ Sorrow is divine. Sorrow is reigning on the throne of the universe, and the crown of all crowns has been one of thorns. There have been many books that treat of the mystery of sorrow, but only one that bids us glory in tribulation, and count it all joy when we fall into divers afflictions, that so we may be associated with that great fellowship of suffering of which the Incarnate God is the head, and through which He is carrying a redemptive conflict to a glorious victory over evil. ”

“ Well, certainly, that prayer seemed to take us all right up and put us down in heaven! and when I opened my eyes, and saw the roses and asparagus-bushes on the manteltree-piece, I had to ask myself, 'Where have I been?' Oh, Miss Scudder, her afflictions have been sanctified to her!—and really, when I see her going on so, I feel she can't be long for us. They say, dying grace is for dying hours; and I'm sure this seems more like dying grace than anything that I ever yet saw. ”

“ The life of the average American is a very hasty breakfast, a magnificent luncheon, a dyspeptic dinner, and no supper. Our masculine energy is like our feminine beauty, bright and evanescent. As enthusiastic travellers inform us that there are in every American village a dozen, girls of sixteen who are prettier than any English hamlet of the same size can produce, so the same village undoubtedly possesses a dozen very young men who, tried by the same standard, are "smarter" than their English peers. ”

“ Ary Scheffer's picture is like the epitaph destined some day for the obsequies of the world; it breathes of death, and has the sombre harmony of the Miserere. And nevertheless,—a strange thing!—this dreaming painter, who seizes and afflicts us, is the same man who at the same time reassures and consoles us,—without doubt, because by dint of spiritualizing our thoughts he raises them above our sufferings, by showing the consoling light of eternity to those whom he would sever from the deceitful joys of earth. ”

“ The firmest, best-prepared natures are often beside themselves with astonishment and dismay, when they are called to this dread initiation. They thought it a very happy world before,—a glorious universe. Now it is darkened with the shadow of insoluble mysteries. Why this everlasting tramp of inevitable laws on quivering life? If the wheels must roll, why must the crushed be so living and sensitive?
And yet sorrow is godlike, sorrow is grand and great, sorrow is wise and farseeing. ”

“ Who shall dare be glad any more, that has once seen the frail foundations on which love and joy are built? Our brighter hours, have they only been weaving a network of agonizing remembrances for this day of bereavement? The heart is pierced with every past joy, with every hope of its ignorant prosperity. Behind every scale in music, the gayest and cheeriest, the grandest, the most triumphant, lies its dark relative minor; the notes are the same, but the change of a semitone changes all to gloom;—all our gayest hours are tunes that have a modulation into these dreary keys ever possible ”

“ But for Lawrence Bury, his powers flagged and failed in the unnatural rivalship; his acting grew more and more cold and mechanical. He became more than ever subject to moods and caprices, and rapidly lost favor with the public, till at last he was regarded only as the husband of the popular actress,—then, merely tolerated for her sake. He fell, or rather flung himself, into a life of reckless dissipation and profligacy, and sunk so low that he scrupled not to accept from his wife, and squander on base pleasures, money won by the genius for which he hated her. ”

“ Something wise and strong and sacred gave an involuntary impression of awe in her looks and words;—it was not the childlike loveliness of early days, looking with dovelike, ignorant eyes on sin and sorrow; but the victorious sweetness of that great multitude who have come out of great tribulation, having washed their robes and made them white in the blood of the Lamb. In her eyes there was that nameless depth that one sees with awe in the Sistine Madonna,—eyes that have measured infinite sorrow and looked through it to an infinite peace. ”

“ She made no effort to obtain an engagement at Covent Garden; for her, that stage was haunted by a presence more gloomy than Hamlet, more dreadful than the Ghost. Nor did she seek to tread, with her free, unpractised step, the classic boards of Drury Lane,—where Garrick, the Grand Monarque of the Drama, though now toward the end of his reign, ruled with jealous, despotic sway,—but modestly and quietly appeared at a minor theatre, seeming, to such play-goers as remembered her brief, brilliant career and sudden disappearance, like the Muse of Tragedy returned from the shades. ”

“ To be the confidential friend in a hundred families in the town,—cutting the social trifle, as my friend Haliburton says, "from the top of the whipped-syllabub to the bottom of the sponge-cake, which is the foundation,"—to keep abreast of the thought of the age in one's study, and to do one's best on Sunday to interweave that thought with the active life of an active town, and to inspirit both and make both infinite by glimpses of the Eternal Glory, seemed such an exquisite forelock into one's life! ”

“ Our own instinctive valuations, the intense sympathy which we give to the tragedy which God has inwoven into the laws of Nature, show us that it is with no slavish dread, no cowardly shrinking, that we should approach her divine mysteries. What are the natures that cannot suffer? Who values them? From the fat oyster, over which the silver tide rises and falls without one pulse upon its fleshy ear, to the hero who stands with quivering nerve parting with wife and child and home for country and God, all the way up is an ascending scale, marked by increasing power to suffer ”

“ But the cold waters of the Atlantic, like the river of Death, make the person of a European artist sacred to us; and it is hard for us to realize that those whom we have surrounded with a halo of classic reverence were partakers of the daily jar and turmoil of our busy age,—that the good physician who tended our sick children so faithfully had lived in familiar intercourse with Goethe, and might have listened to the first performance of those symphonies of Beethoven which seem to us as eternal as the mountains. ”