Summary

Various The Yale Literary Magazine (Vol…

His novels are bad, very bad, in their tendency. He marries vice and virtue; he joins nobleness to sin; he makes man the puppet of fate or circumstance; around the desperate offender he weaves a spell of enchantment; we follow his heroes with wonder and pity and love, through all their paths of crime and glory, and we close the book with a sigh that ourselves were not born with natures so high, and destinies so splendid, even at the price of all their wretchedness, and all their guilt. Bulwer may talk, and talk of virtue and religion, till his hair is gray—but his principles are poison.
Source: Gutenberg

Various The Yale Literary Magazine (Vol…

His views in politics, in ethics, and religion, are all shifting. If a brilliant thought occurs, he pauses little upon its truth or consistency with his previous sentiments. Because red and blue are both beautiful, he lays them on together. You view his pictures as in a glass, and depart, ‘straitway forgetting what manner of man he is.’ He makes all his heroes think and act splendidly for the moment; but their thoughts and actions are incongruous as a whole—they war among themselves. A man cannot at once be patient and resentful, thoughtful and careless, or learned and an idler.
Source: Gutenberg

Various The Yale Literary Magazine (Vol…

Perceiving that she could not easily reach the flower, Clermont, who had been fixed in his concealment by the enchantment of the vision, advanced to her view and offered his assistance. She was startled at the sudden apparition, and seized her oar. She did not know his language, but his gentle tones and supplicating gestures, tempted her to come nearer the bank and take the rose he offered, and then like the timid bird that picks one kernel from your hand, not staying for more flowers, which he would have gathered, she flew away over the waters.
Source: Gutenberg

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