Summary

Portrait of Victor Hugo Victor Hugo Les Misérables, v. 2/5: Cosette

On the other side we have intuition, divination, military strangeness, superhuman instinct, a flashing glance; something that gazes like the eagle and strikes like lightning, all the mysteries of a profound mind, association with destiny; the river, the plain, the forest, and the hill summoned, and to some extent compelled, to obey, the despot going so far as even to tyrannize over the battle-field; faith in a star blended with strategic science, heightening but troubling it. Wellington was the Barême of war, Napoleon was its Michael Angelo, and this true genius was conquered by calculation.
Source: Gutenberg

Portrait of Victor Hugo Victor Hugo Les Misérables, v. 2/5: Cosette

It was a hymn, that issued from the darkness, a dazzling blending of prayer and harmony in the dark and fearful silence of the night: female voices, but composed at once of the pure accent of virgins and the simple voices of children,—such voices as do not belong to earth, and resemble those which the new-born still hear, and the dying begin to hear. This chant came from the gloomy building that commanded the garden, and at the moment when the noise of the demons was retiring it seemed like a choir of angels approaching in the dark. Cosette and Jean Valjean fell on their knees.
Source: Gutenberg

Portrait of Victor Hugo Victor Hugo Les Misérables, v. 2/5: Cosette

The whole stall seemed to her a palace, and this doll was not a doll, but a vision. Joy, splendor, wealth, and happiness appeared in a sort of chimerical radiance to the unhappy little creature who was deeply buried in mournful and cold wretchedness. Cosette measured with the simple and sad sagacity of childhood the abyss which separated her from this doll. She said to herself that a person must be a queen or a princess to have a "thing" like that. She looked at the fine dress, the long smooth hair, and thought, "How happy that doll must be!"
Source: Gutenberg

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