Virginia Woolf

Virginia Woolf

Summary

Portrait of Virginia Woolf Virginia Woolf,  The Criterion (1926)

“ Illness in its kingly sublimity sweeps all that aside, leaves nothing but Shakespeare and oneself, and what with his overweening power, our overweening arrogance, the barriers go down, the knots run smooth, the brain rings and resounds with Lear or Macbeth, and even Coleridge himself squeaks like a distant mouse. Of all the plays and even of the sonnets this is true; it is Hamlet that is the exception. Hamlet one reads once only in one's life, between the ages of twenty and twenty-five. Then one is Hamlet, one is youth; as, to make a clean breast of it, Hamlet is Shakespeare, is youth. ”
Source: Wikisource

Portrait of Virginia Woolf Virginia Woolf,  The Criterion (1926)

“ Wonderful to relate, poets have found religion in nature; people live in the country to learn virtue from plants. It is in their indifference that they are comforting. That snowfield of the mind, where man has not trodden, is visited by the cloud, kissed by the falling petal, as, in another sphere, it is the great artists, the Miltons, the Popes, who console, not by their thought of us, but by their forgetfulness.
Meanwhile, with the heroism of the ant or the bee, however indifferent the sky or disdainful the flowers, the army of the upright marches to battle.
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Source: Wikisource

Portrait of Virginia Woolf Virginia Woolf,  The Criterion (1926)

“ But with the hook of life still in us still we must wriggle. We cannot stiffen peaceably into glassy mounds. Even the recumbent spring up at the mere imagination of frost about the toes and stretch out to avail themselves of the universal hope—Heaven, Immortality. Surely, since men have been wishing all these ages, they will have wished something into existence; there will be some green isle for the mind to rest on even if the foot cannot plant itself there. The co-operative imagination of mankind must have drawn some firm outline. ”
Source: Wikisource

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