Summary

Portrait of Voltaire Voltaire A Philosophical Dictionary, Volume 05

In persons and works, grace signifies, not only that which is pleasing, but that which is attractive; so that the ancients imagined that the goddess of beauty ought never to appear without the graces. Beauty never displeases, but it may be deprived of this secret charm, which invites us to regard it, and sentimentally attracts and fills the soul. Grace in figure, carriage, action, discourse, depends on its attractive merit. A beautiful woman will have no grace, if her mouth be shut without a smile, and if her eyes display no sweetness.
Source: Gutenberg

Portrait of Voltaire Voltaire A Philosophical Dictionary, Volume 05

How can the substance of a star, between which and us there is a void so immense, be precisely the substance of this earth, or the substance of myself, or the substance of a fly eaten by a spider?
Perhaps I mistake, but I never have been able to conceive how Spinoza, admitting an infinite substance of which thought and matter are the two modalities—admitting the substance which he calls God, and of which all that we see is mode or accident—could nevertheless reject final causes. If this infinite, universal being thinks, must he not have design? If he has design, must he not have a will?
Source: Gutenberg

Portrait of Voltaire Voltaire A Philosophical Dictionary, Volume 05

There is something; therefore there is something eternal; for nothing is produced from nothing. Here is a certain truth on which the mind reposes. Every work which shows us means and an end, announces a workman; then this universe, composed of springs, of means, each of which has its end, discovers a most mighty, a most intelligent workman. Here is a probability approaching the greatest certainty. But is this supreme artificer infinite? Is he everywhere? Is he in one place? How are we, with our feeble intelligence and limited knowledge, to answer these questions?
Source: Gutenberg

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