Summary

G. W. Foote Voltaire: A Sketch of His Life and Works

Voltaire may not be placed with the great inspiring teachers of mankind. But it must be acknowledged that, as Mr. George Saintsbury, no mean critic, says: “In literary craftsmanship, at once versatile and accomplished, he has no superior and scarcely a rival.”
He declared that he loved the whole of the nine Muses, and that the doors of the soul should be open to all sciences and all sentiments. He employed every species of composition—poetry, prose, tragedy, comedy, history, dialogue, epistle, essay or epigram—as it suited his purpose, and he excelled in all. Argument or raillery came alike.
Source: Gutenberg

G. W. Foote Voltaire: A Sketch of His Life and Works

The one was fire and fickleness, a child Most mutable in wishes, but in mind A wit as various,—gay, grave, sage, or wild,— Historian, bard, philosopher, combined; He multiplied himself among mankind, The Proteus of their talents: But his own Breathed most in ridicule,—which, as the wind, Blew where it listed, laying all things prone,— Now to o’erthrow a fool, and now to shake a throne.
Source: Gutenberg

G. W. Foote Voltaire: A Sketch of His Life and Works

Ridicule can hurt no reality. You cannot make fun of the multiplication table. The fun begins when the theologians assert that three times one are one. Shaftesbury, who maintained that ridicule was a test of truth, remarked with justice, “’tis the persecuting spirit that has raised the bantering one.” Ridicule is the natural retort to those who seek not to convert but to convict and punish. Ridicule comes like a stream of sunlight to dissipate the fogs of preconceived prejudice. A laugh, if no argument, is a splendid preparative. Often, in Voltaire, ridicule takes an argumentative form.
Source: Gutenberg

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