William George Aston

William George Aston

Summary

Portrait of William George Aston William George Aston Shinto: The Way of the Gods (1905)

Because the Great Deity has bestowed on him the lands of the four quarters over which her glance extends as far as where the wall of Heaven rises, as far as where the bounds of Earth stand up, as far as the blue clouds are diffused, as far as where the white clouds settle down opposite, by the blue sea-plain, as far as the prows of ships can go without letting dry their poles and oars
Source: Wikisource

Portrait of William George Aston William George Aston Shinto: The Way of the Gods (1905)

Ohonamochi then took hold of the hair of the Great Deity and tied it to the rafters of the chamber. Blocking up the door with a five-hundred-pull rock, he took his wife Suseri-hime on his back and made his escape, carrying with him the Great Deity's live-sword, live bow and arrows, and speaking lute of Heaven. The speaking lute of Heaven brushed against a tree and the earth resounded. The Great Deity was startled out of his sleep by the sound and pulled down the chamber. But while he was unloosing his hair from the rafters Ohonamochi fled a long way off.
Source: Wikisource

Portrait of William George Aston William George Aston Shinto: The Way of the Gods (1905)

And as it is from the sympathetic recognition of life in our fellow men that we proceed to the recognition of life in the so-called inanimate universe, so it is by the contemplation of the highest types of humanity that we are able to refine and exalt our conception of divinity.
The two great sources of religious thought, personification and deification, are constantly intermingling their streams and reacting upon each other. A deity who begins his career as a Nature-God often in course of time loses this quality, and becomes hardly distinguishable from a magnified man.
Source: Wikisource

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