Summary

William Hazlitt Essays on the Principles of Human Action (1835)

The ablest painters have never been able to give more than one part of nature, in abstracted views of things. The most laborious artists never finished to perfection any one part of an object, or had ever any more than a confused, vague, uncertain notion of the shape of the mouth or nose, or the colour of an eye. Ask a logician, or any common man, and he will no doubt tell you that a face is a face, a nose is a nose, a tree is a tree, and that he can see what it is as well as another.
Source: Wikisource

William Hazlitt Essays on the Principles of Human Action (1835)

Every idea of an object is, therefore, in a strict sense an imperfect and general notion of an aggregate: of a house, or tree, as well of a city, or forest: of a grain of sand as well as of the universe. Every idea of a sensible quality, as of the whiteness of the sheet of paper before me, or the hardness of the table on which I lean, implies the same power of generalization, of connecting several impressions into one sort, as the most refined and abstract idea of virtue and justice, of motion, or extension, or space of time, or being itself.
Source: Wikisource

William Hazlitt Essays on the Principles of Human Action (1835)

I can imagine a man with two heads or the upper part of a man joined to the body of a horse; I can consider the hand, the eye, the nose, each by itself, abstracted or separated from the rest of the body. But then, whatever hand or eye, I imagine, it must have some particular shape, and colour. Likewise, the idea of man that I frame to myself must be either of a white, or a black, or a tawny; a strait, or a crooked; a tall, or a low, or a middle sized man.
Source: Wikisource

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