William Henry Furness

Summary

William Henry Furness The island of stone money (1910)

Is it not here then, in an untutored tropic island, that the realization is to be found of the Spartan ideal? Somebody’s children are always about the houses and to the fore in all excitements, and never did I see them roughly handled or harshly treated. As soon as they are old enough they must win their own way, and, if boys, at a very early age, they make the pabai or failu—the man’s house—their home by night and day, sharing the cooked food of their elders, or living on raw coconuts, and chewing betel incessantly.
Source: Gutenberg

William Henry Furness The island of stone money (1910)

The custom of tattooing was never prevalent among the women, except those who had been captured from other communities to be companions for the men in the Failu or Pabai; they were tattooed on the backs of their hands and on their legs as a lasting reminder, when they had married respectably and had lost their youthful charm in bringing up a family, that once they had been like the lilies of the field and a thing of beauty, but, sadly indeed, not a joy forever.
Source: Gutenberg

William Henry Furness The island of stone money (1910)

The Pimlingai again retreated to the background, and Gyeiga, sitting cross-legged beside the corpse, placed two large pearl shells upon his chest, talking to him in a pleading, plaintive voice and looking directly in his horribly disfigured face. The old women in the listening and sympathising crowd, from time to time seemed to mutter an approval of her sentiments, and the wrinkled, parchment cheeks of many of them were wet with tears. Then she arose and brought two more equally fine shells from the house and placed them on top of the others with another short speech to the corpse.
Source: Gutenberg

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