William Henry Holmes

“ Any one at all familiar with the curious pictographic manuscripts of the ancient Mexicans will see at a glance that we have here a sacrificial scene, in which a priest seems to be engaged in the sacrifice of a human being. In the extraordinary manuscripts of the ancient Aztecs we have many parallels to this design. So closely does it approach the Aztec type that, although no duplicate can be found in any of the codices, there is not a single idea, a single member or ornament that has not its analogue in the Mexican manuscripts. ”

“ We have hundreds of primitive myths within our easy reach that are as interesting and instructive as these could be. All I desire is to elevate these works from the category of trinkets to what I believe is their rightful place—the serious art of a people with great capacity for loftier works. What the gorgets themselves were, or of what particular value to their possessors, aside from simple ornament, must be, in a [pg 282] measure, a matter of conjecture. They were hardly less than the totems of clans, the insignia of rulers, or the potent charms of a priesthood. ”

“ They are truly remarkable. The clear-cut lines that shadow forth the hairy mammoth suggest the graphic and forcible work of the Parisian of to-day. The rude Esquimaux of our own time engraves images of a great variety of natural objects on his ornaments and implements of ivory in a manner that commands our admiration. But these shell tablets have designs of a much higher grade. They not only represent natural [pg 303] objects with precision, but they delineate conceptions of mythical creatures of composite character for which nature affords no model. ”

“ According to Roger Williams also, the Indians of New England, as far back as his observations extend, were engaged in the manufacture of shell money as a well-established industry. It seems altogether impossible that such a custom should have been successfully introduced by the English, as the Indian is well known to be averse to anything like labor excepting in his traditional occupations of war and the chase, and if the whites had introduced it, would certainly have looked to them for a supply by means of trade in skins and game rather than apply himself to a new and strange art. ”

“ I am perfectly well aware that a scientific writer should guard against the tendency to indulge in flights of fancy, but as the myths of the American aborigines are highly poetical, and abound in lofty rhetorical figures, there can be no good reason why their graphic art should not echo some of these rhythmical passages. To the thoughtful mind it will be apparent that, although this design is not necessarily full of occult mysteries, every line has its purpose and every figure its significance. ”

“ The body of the ornament is formed from the lip of the shell. In size they vary to some extent with the shells from which they are derived. The body is at times quite oval and again slender and hooked like the blade of a sickle. The perforations are generally very numerous, a fact that indicates their use as central pieces for composite pendants. It is apparent that the wearers thought more of the exquisite coloring of these ornaments than of the outline or surface finish. This is only one of many instances that prove the innate and universal appreciation of beauty of color by savage peoples. ”

“ It is not my intention here to attempt at extended discussion of the bearings of this art upon the various interesting questions of anthropologic science, but rather to present certain of its phases in the concrete, to study the embodiment of the art of the ancient American in this one material, and to present the results in a tangible manner, not as a catalogue of objects, but as an elementary part of the whole body of human art, illustrating a particular phase of the evolution of culture. ”

“ Year after year articles of European manufacture are being discovered in the most unexpected places, and we shall find it impossible to assign any single example of these crosses to a prehistoric period, with the assurance that our statements will not some day be challenged. It is certainly unfortunate that the American origin of any work of art resembling European forms must rest forever under a cloud of suspicion. As long as a doubt exists in regard to the origin of a relic, it is useless to employ it in a discussion where important deductions are to be made. ”

“ The flinty substance of the shells of mollusks has been a favorite material at all times and with all peoples. Especially is this true of the shell-loving natives of North America, among whom shell beads have been in use far back into the prehistoric ages, and who to-day, from Oregon to Florida, burden themselves to discomfort with multiple strings of their favorite ornament ”

“ It has already been suggested that the simpler forms of pendants with plain surfaces may have had particular significance to their possessors, as insignia, amulets, or symbols, or that they may have received painted designs of such a character as to give significance to them. For ornament the natural or plainly polished surface of the shell possessed sufficient beauty to satisfy the most fastidious taste—a beauty that could hardly be enhanced by the addition of painted or incised figures. ”

“ The necessity for groping increases with every backward step, and we pick up one by one the scattered links of a chain that has a thousand times been broken. So far our information is meager and fragmentary, and centuries of research will be required to round up our knowledge to such a fullness as to enable us to rehabilitate the ancient races, a result to be reached only by an exhaustive comparative study of the art products of all peoples and of all ages. ”

“ Whatever is finally determined in reference to the origin of the cross as a religious symbol in America will probably result from the exhaustive study of the history, language, and art of the ancient peoples, combined with a thorough knowledge of the religious conceptions of modern tribes, and when these sources of information are all exhausted it is probable that the writer who asserts more than a probability will overreach his proofs. ”

“ A creature which has sufficient power to guide and rule a race is constantly embodied in its songs, its art, and its philosophy. Thus highly regarded by the modern tribes, it must have been equally an object of consideration among prehistoric races. We know that the Natchez and the Creeks included the bird among their deities, and by the relics placed within his sepulchers we know that it held an important place in the esteem of the mound-builder. ”

“ The skill acquired by the primitive artisan in shaping the homely spoon or the rude celt served a good purpose in the more elegant arts, and opened the way to a new and unique field for the development and display of the remarkable art instincts of these savages. It probably required no great skill and no very extended labor to fashion the various utensils and implements of the outer walls of the univalves or the thin valves of clams and mussels; but to cut out, grind down, and polish the columellæ of the large conchs required a protracted effort and no little mechanical skill. ”

“ The valves of many species are large and deep, and are available for cups and dishes, and as such are not scorned even by the modern clam-baker, who, like the ancient inhabitant, makes periodical visits to the sea-shore to fish and feast. They were also used as knives, scrapers, and hoes, and in historic times have been extensively used in the manufacture of wampum. The hard-shell clam, Venus mercenaria, on account of the purplish color of portions of the valves, has been most extensively used for this purpose. ”

“ With the American savage it was a guardian spirit, invested with the mystery and the power of the sea, and among the more cultured tribes became in time the receptacle of the most ambitious efforts of a phenomenal art. ”

“ Clay is widely used and takes a foremost place in works of utility and taste.
Metals are too intractable to be readily employed by primitive peoples, and until a high grade of culture is attained are but little used.
Animal substances of compact character, such as bone, horn, ivory, and shell, are also restricted in their use, and the more destructible substances, both animal and vegetable, however extensively employed, have comparatively little archæologic importance.
All materials, however, are made subservient to man and in one way or another become the agents of culture ”

“ Besides the Europeans, many of the native Indians come annually down to the sea shore, in order to catch clams, proceeding with them afterwards in the manner I have just described. The shells of these clams are used by the Indians as money, and make what they call their wampum: they likewise serve their women as an ornament, when they intend to appear in full dress. These wampums are properly made of the purple parts of the shells, which the Indians value more than the white parts. A traveller, who goes to trade with the Indians, and is well stocked with them, may become a considerable gainer ”

“ As an ornament this Missouri gorget is a member of a great family that is peculiarly northern, but the design engraved upon it affiliates with the art of Mexico, and so close and striking are the resemblances, that accident cannot account for them, and we are forced to the conclusion that it must be the offspring of the same beliefs and customs and the same culture as the art of Mexico. ”

“ Man in his most primitive condition must have resorted to the sea-shore for the food which it affords. Weapons or other appliances were not necessary in the capture of mollusks; a stone to break the shell, or one of the massive valves of the shells themselves, sufficed for all purposes.
The shells of mollusks probably came into use as utensils at a very early date, and mutually with products of the vegetable world afforded natural vessels for food and water. ”

“ With all peoples the bird has been a most important symbol. Possessing the mysterious power of flight, by which it could rise at pleasure into the realms of space, it naturally came to be associated with the phenomena of the sky—the wind, the storm, the lightning, and the thunder. ”

“ Among the thirty or forty specimens that I have examined, the engraving of the serpent is, with one exception, placed upon the concave side of the disk, which is, as usual, cut from the most distended part of the Busycon perversum, or some similar shell. The great uniformity of these designs is a matter of much surprise. At the same time, however, there is no exact duplication; there are always differences in position, detail, or number of parts. The serpent is always coiled, the head occupying the center of the disk. ”

“ In all cases they are so perforated or grooved as to be suspended by a string; but it is the custom of all savage peoples to employ very heavy pendants as ornaments for the ears or for suspension about the neck, and where stone could be secured for such ordinary uses as the sinking of nets or lines, it seems improbable that objects of shell, which form superb ornaments, would be so employed.
That hooks were used to some extent by the Atlantic coast Indians is proved by the association of bone hooks with other ancient relics. ”

“ Had the materials placed at the disposal of primitive peoples been as uniform as are their wants and capacities, there would have been but little variation in the art products of the world; but the utilization of a particular material in the natural state gives a strong bias to artificial products, and its forms and functions impress themselves upon art products in other materials. ”

“ I shall not attempt to take up the various classes of objects in shell in the order of their development, as it would be hard to say whether food utensils, weapons, or ornaments were first used. It is also difficult to distinguish weapons proper from implements employed in the arts, such as celts, knives, hammers, etc., as it is probable they were all variously used according to the needs of their possessors.
Having briefly treated of natural vessels, it seems convenient to go on with vessels shaped by art. ”

“ As domestic utensils bivalve shells have held a place hardly inferior in importance to that of the large univalves. Marine and fluviatile varieties have been used indiscriminately, and generally in the natural state, but occasionally altered by art to enhance their beauty or add to their convenience. The artificial utensils do not, however, present a very great variety of form, the alteration consisting chiefly in the carving out of a kind of handle, by which device hot food could be eaten without danger of burning the fingers. ”

“ But the spider, which spins a web and projects in mid-air a gossamer structure of marvelous symmetry and beauty, and builds an ambush from which to spring upon his prey, was probably one of the first instructors of adolescent man, and must have seemed to him a very deity. It is not strange, therefore, that the spider appears in the myths of the savages. With the great Shoshone family, according to Professor Powell, the spider was the first weaver, and taught that important art to the fathers. ”