Émile Zola

Émile Zola

Summary

Portrait of Émile Zola Émile Zola Truth [Vérité]

Marc had spent his life fighting in order that a little light might extricate the children from the dim gaol in which their fathers had groaned; and, in giving more happiness to others, he thought he had given it to his own family. Yet now, at the hearth of his grandson, who had seemed quite freed from error and very sensible, another form of suffering displayed itself—the suffering of love, with its eternal felicity and eternal torture! It was evident that one must not be proud of one's knowledge, that one must not set all one's strength in it.
Source: Gutenberg

Portrait of Émile Zola Émile Zola Truth [Vérité]

Jonville, that charming, lonely village where we loved each other so well, where we first lived together so happily! What a good omen it is that we are going back there, to begin our life afresh in affection and quietude! Maillebois made me feel nervous, but Jonville is hope and certainty.'
Renewed courage and infinite confidence in the future were now upbuoying Marc, filling him with superb enthusiasm. 'Love has returned to us,' said he; 'henceforth we are all-powerful. And even though falsehood, iniquity, and crime triumphed to-day, eternal victory will to-morrow be ours.'
Source: Gutenberg

Portrait of Émile Zola Émile Zola Truth [Vérité]

One evening, Louise, who had been reflecting with all a big girl's gravity, suddenly inquired: 'Mademoiselle, why have you never married?'
At this the schoolmistress laughed good naturedly. 'Oh, my darling, have you never looked at me!' she answered. 'A husband is not easily found when one has such a big nose as mine, and no figure.'
The girl looked at her mistress with astonishment, for never had she thought her ugly. True enough, Mademoiselle Mazeline did not possess a fine figure, and her nose was too large, her face a broad one, with a bumpy forehead and projecting cheek bones.
Source: Gutenberg

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