Antonio da Sangallo the Younger

Definition and stakes

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

At the death of Antonio Sangallo, there remained behind him his brother, Battista Gobbo, a man of considerable ingenuity, who had devoted nearly the whole of his time to the buildings of his brother, but was not treated very well by him. This Battista did not live many years after Antonio, and when he died he left all that he possessed to the Florentine Brotherhood of the Misericordia in Rome, but with the condition that they should cause to be printed a book of Remarks on Vitruvius, which he had written.
Source: Wikisource

Portrait of John Henry Middleton John Henry Middleton 1911 Encyclopædia Britannica (1911)

V. Antonio di Sangallo, the younger (1485?-1546) , another nephew of Giuliano, went while very young to Rome, and became a pupil of Bramante, of whose style he was afterwards a close follower. He lived and worked in Rome during the greater part of his life, and was much employed by several of the popes. His most perfect existing work is the brick and travertine church of S. Maria di Loreto, close by Trajan's column, a building remarkable for the great beauty of its proportions, and its noble effect produced with much simplicity. The lower order is square in plan, the next octagonal
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

It appeared to Michelagnolo and to many others also, by whom the model of Antonio Sangallo has been examined, and who have seeri such portions of the work as were executed by him, that he has injured the effect of the whole, and diminished its force, by the many ressaults and divisions which he has adopted, and by members which are too small, as are the columns for example, and those arches above arches and cornices over cornices with which he has loaded his work.
Source: Wikisource

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