Bernardino da Siena

Definition and stakes

Edmund G. Gardner,  The Story of Siena and San Gimignano

“ On entering we are at once struck by the dazzling profusion of gold and colour, the splendid and opulent decorative effect of the whole. In the contract between “the most reverend Lord Cardinal of Siena” and “Messer Bernardino called Il Pinturicchio, painter of Perugia,” dated June 29th, 1502, “to paint a Library placed in the Duomo of Siena,” almost as much stress is laid upon the “gold, azure, ultramarine, enamel-blue, azure-greens and other pleasing colours” as upon the ten histories in which he has to paint “the life of the Holy Memory of Pope Pius.” ”
Source: Gutenberg

Giorgio Vasari,  Lives of the Most Excellent Painters… (1850)

“ Pinturicchio was invited to Siena, where he was employed by cardinal Francesco Piccolomini to paint the library which had been erected in the cathedral of that city by Pope Pius II. It is indeed true, that the sketches and cartoons for all [4] the stories which he executed in that place were by the hand of Raffaello da Urbino, then a youth, who had been his companion and fellow disciple with the above-named Pietro, whose manner had been perfectly acquired by RatFaello. One of these Cartoons is still to be seen in Siena, and some of the sketches, by the hand of Raffaello, are in our book. ”
Source: Wikisource

Edmund G. Gardner,  The Story of Siena and San Gimignano

“ Two of the Angels are holding a scroll with a poem, thus blending painting and poetry together in the characteristic early Sienese way: “This blessed glorious Virgin pure, Daughter of her Son and Spouse and Mother—because the Eternal Father found her more humble than any other person, He giveth her here the crown of the Universe. Virgin Mother of the Eternal God, by whose holy hands thou art crowned, to thee be recommended the devout and faithful city of Siena, as it hopeth in thee; hail, full of grace.” The San Bernardino on the right is also by Sano. ”
Source: Gutenberg

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