Edmund G. Gardner, The Story of Siena and San Gimignano
“ On entering we are at once struck by the dazzling profusion of gold and colour, the splendid and opulent decorative effect of the whole. In the contract between “the most reverend Lord Cardinal of Siena” and “Messer Bernardino called Il Pinturicchio, painter of Perugia,” dated June 29th, 1502, “to paint a Library placed in the Duomo of Siena,” almost as much stress is laid upon the “gold, azure, ultramarine, enamel-blue, azure-greens and other pleasing colours” as upon the ten histories in which he has to paint “the life of the Holy Memory of Pope Pius.” ”
