Brussels carpet

“ Such records as these convey a fair notion of the sporadic attempts which immediately preceded a systematic manufacture of pile carpets in this country. Whilst the Wilton industry survived, that actually carried on at Axminster died towards the end of the 18th century, and the name of Axminster like that of Savonnerie carpets now perpetuates the memory of a locally deceased manufactory, much as in a parallel way Brussels carpets seem to owe their name to the renown of Brussels as an important centre in the 15th and 16th centuries for tapestry-weaving. ”

“ Some economically inclined people transform Brussels carpet from which the pattern is worn off into very serviceable oilcloth by painting the wrong side. Generally, a plain coat of yellow ochre is considered sufficient, but a really pretty floor covering could be made by stencilling a border, consisting either of one of the key patterns, or of a continuous leaf or vine patterns. ”

“ The surface of the carpet then is inspected by the pickers, who mend any faults left from the weaving. Their work is supervised and checked by the passers. At this stage, some manufacturers pass their Brussels carpets, particularly the cheaper qualities, through a pressing machine, in which heavy pressure on the looped pile is exerted by rollers, the object being to obtain better cover, and to prevent grinning. It is questionable, however, whether the process is of any real benefit to the carpet, as it tends to impair the handle of the fabric and the resiliency of the pile. ”

“ The result of all this is, that she buys the Brussels carpet, which, with all its reduction in price, is one third dearer than the ingrain would have been, and not half so pretty. When she comes home, she will find that she has spent, we will say eighty dollars, for a very homely carpet whose greatest merit it is an affliction to remember—namely, that it will outlast three ordinary carpets. And because she has bought this carpet she can not afford to paper the walls or put up any window-curtains, and can not even begin to think of buying any pictures. ”

“ The object of this invention is to manufacture, in a cheap fabric, a closer imitation of Brussels carpets. As is well known, an ordinary Brussels carpet is made with a pattern on one side only, but according to this invention, it is intended to produce a pattern on both sides of the ingrain or pro-Brussels carpet, so that it will be reversible. In manufacturing a reversible carpet of this class according to the present invention, the pattern is formed by means of the warp and weft combined, and any suitable ingrain warp operated by the harness or jacquard of the loom may be used. ”

“ Pausing on the threshold, he looked in, conscious not so much of the few familiar sticks of furniture—the trucklebed, the worn strip of Brussels carpet, the chipped blue-banded ewer and basin, the framed illuminated texts on the walls—as of a perfect hive of abhorrent memories.
That high cupboard in the corner from which certain bodiless shapes had been wont to issue and stoop at him cowering out of his dreams; the crab-patterned paper that came alive as you stared; the window cold with menacing stars; ”

“ A good way to clean hardwood floors in halls where the carpet does not entirely cover the floor, is to take a can of linseed oil and a small woolen cloth and dip one end of the cloth in the oil, being careful not to spill the oil on the carpet, or touch the edge of the carpet while cleaning; this will remove the dust and dirt, after which the floor may be polished with ordinary floor-wax put on with a flannel cloth and polished with a brick, over which has been sewed a piece of Brussels carpet. ”

“ Besides, and this is a great consideration in cities, all the majolica ornaments and tiles, which are so suitable to this style of decoration, will wash, and be bright and clear for ever. Do not despise the Renaissance, for there is much delight in it, though not of the highest kind. We may keep the higher things for higher uses.
A Brussels carpet of Persian pattern is very nice for a drawing-room, as it is unobtrusive, and yet it is cheerful, and suits most styles of furniture. ”

“ I will say no more on the floral style, but to express a regret that, the more perfect the manufacturing process in carpets becomes, the more do they (the carpets) appear to lend themselves to evil. The modest Kidderminster carpet rarely goes wrong, because it cannot; it has to deal with but two colours, and consequently much mischief is beyond its reach. The Brussels carpet, which deals with five colours, is more mischievous. The Tapestry carpet, where the colours are still more numerous, are vicious in the extreme ”

“ As a matter of fact, there have been in existence for a good many years a Brussels and Wilton Carpet Manufacturers’ Association, working in close co-operation with an Axminster Association, and a Victorian (Chenille) Association; while the makers of Tapestry carpets have an organisation of their own. Of recent years, another body was added, the Carpet Manufacturers’ Federation, whose special function was the control of the lower qualities of Brussels and Wilton, which the existing Brussels and Wilton Association did not claim to regulate. ”

“ In selecting the furniture of parlors, some reference should be had to correspondence of shades and colors. Curtains should be darker than the walls; and, if the walls and carpets be light, the chairs should be dark, and vicè versa. Pictures always look best on light walls.
In selecting carpets for rooms much used, it is poor economy to buy cheap ones. Ingrain carpets, of close texture, and the three-ply carpets, are best for common use. Brussels carpets do not wear so long as the three-ply ones, because they can not be turned. ”

“ The colouring certainly adds to the appearance of the carpet, and the sizing adds stiffness and handling, though, apart from this, and from the fact that it is expected by the dealer, it is doubtful whether it is of any advantage, except in the cheaper grades, where less yarn is used.
Brussels and Wilton carpets are described as being of five, four, or three frames, according to the number of sets of creel bobbins carrying worsted warp threads. Each frame will generally be composed of threads all of one colour ”

“ The linen, woolen, and delicate cotton fabrics woven in Belgium were as famous as Brussels carpets and Brussels lace. Since it was a land particularly rich in coal, manufacturing of all sorts was very profitable. ”

“ The colour will appear to have run; and the shade which belongs to one wire will tend to trespass on to the next. This means that with Tapestry it is never quite possible to produce the clearly-defined pattern effect, which is produced in Brussels and Wilton, and which is naturally looked for in all fabrics of moderately fine pitch.
Apart from this, the Tapestry carpet has much to commend it. It can be produced and sold at a moderate price; it can be made seamless, and it has great potentialities of design ”

“ You can get very artistic-looking carpets for a little money; the Burmese carpet is ridiculously cheap and very satisfactory, but for real hard wear Brussels or pile must be chosen, and for a really good thing one must always pay; and it is far cheaper in the long run to buy what is really good than to be perpetually vexed at the wear and tear which invariably surprises and annoys us, come when it may. I therefore very strongly advise all who can to invest in really good stair-carpets, even if they content themselves with something far less expensive for the other rooms. ”

“ Heavy carpets, Brussels, velvets, Wiltons, Axminsters, and Moquettes, need not be lifted oftener than every two or three years, unless the presence of moths about bindings, corners, or seams is detected, when they must come up at once. The ravage of moths can be prevented by drawing the tacks occasionally, turning back the edge of the carpet half a yard or so, laying a cloth wrung out of hot water on the wrong side, and pressing with a very hot iron, holding the iron on until the cloth is dry and then moving on until all the edges are thoroughly steamed and dried. ”

“ In knitting these strips, always slip the first stitch and knit the last of every row without putting in a piece of wool. Pieces of woolen cloth may be used instead of the Smyrna wool. Tapestry Brussels, carpeting cut into strips of uniform width and then raveled out also furnish nice material for these rugs.
If a whole rug seems too great an undertaking, a centre of handsome carpeting (remnants of which can be procured at a low price in the city stores) , edged with ”

“ Time past on as lightly as he always steps over flowers, Brussels carpets, marble terraces, green turfs, or whatever simile may best express a path without an impediment. ”

“ The mechanically-made carpets of to-day must be looked upon as makeshifts for cheapness' sake. Of these, the velvet pile and Brussels are simply coarse worsted velvets woven over wires like other velvet, and cut, in the case of the velvet pile; and Kidderminster carpets are stout cloths, in which abundance of warp (a warp to each weft) is used for the sake of wear and tear. The velvet carpets need the same kind of design as to colour and quality as the real carpets ”

“ What I should like to see, especially in all London bedrooms, is a fresh, inexpensive carpet of unobtrusive colours, which can be constantly taken away and cleaned or renewed, rather than a more costly, rich-looking floor-covering, which will surely in time become and remain more or less dirty. But light carpets are seldom soft in tone, and I should be inclined to suggest felt as a groundwork, if the bare boards are inadmissible, with large rugs thrown down before the fireplace, dressing and writing-tables, &c. ”

“ In buying carpets remember that the best are always the cheapest. The more limited one’s means are, the more essential it is that only a good article shall be purchased. The best quality of body Brussels will outwear two or more of the cheaper tapestry carpets. ”

“ The vulgarity of these borders is the chief objection to using carpets of European manufacture as rugs, instead of nailing them to the floor. It is difficult to find a border that is not too wide, and of which the design is a simple conventional figure in flat unshaded colors. If used at all, a carpet with a border should always be in the form of a rug, laid in the middle of the room, and not cut to follow all the ins and outs of the floor, as such adaptation not only narrows the room but emphasizes any irregularity in its plan. ”

“ Carpets, except the cheaper ones, are seldom sold in the bazaars nowadays. They are purchased on the looms. The best ones are only made to order. There are, of course, a few rug shops, and occasionally an old carpet finds its way to a second-hand shop in the bazaar. ”

“ It is not the dirt that may be swept away, but fine dust in the atmosphere that settles permanently in carpet, adding gray to the tone of the carpet, whatever its original color may have been. Therefore it is advisable when purchasing carpet to choose a shade a trifle stronger than the final floor color desired. In matching wall coloring, draperies, or upholstery fabrics, at the time of purchase, it is a wise expedient deliberately to soil a small cutting of the carpet so as to judge what its appearance will be for most of its life. ”

“ Pity it is, the time had not been long enough for more remains of it to have come to us than those that scantily supply museums. After the Gothic perfection came the great change made in Flanders by the introduction of the Renaissance.
It came through the excellence of the weavers. It was not the worth of the artists that brought Brussels its greatest fame, but the humbler work of its tapissiers. Their lives, their endeavours counted more in textile art than did the Flemish school of painting. No such weavers existed in all the world. ”

“ Other floor coverings are and have been made also without such a tufted surface, and of these some are simple shuttle-woven materials plain or enriched with needlework or printed with patterns, others are woven after the manner of tapestry-weaving (see Tapestry) or in imitation of it, and a further class of carpets is made of felt (see Felt) . This last material is entirely different from that of shuttle or tapestry weaving. Although carpet weaving by hand is, and for centuries has been, an Oriental industry, it has also been, and is still, pursued in many European countries. ”

“ Hand-made carpets are the oldest type of the fabric, and, coming from the East, are the historical parents of all modern carpets. This kind of carpet is made to-day in the United Kingdom, on the Continent, and in the East in almost exactly the same manner in which it has been made by the Orientals for several hundred years. The principle is extremely simple. The warp threads, or chain, are wound on two horizontal beams, between which they are stretched vertically. ”

“ The tints of such rugs are too subdued, too subtly harmonized by time, to clash with any colors the room may contain; but those who cannot cover their floors in this way will do well to use carpets of uniform tint, rather than the gaudy rugs now made in the East. The modern red and green Smyrna or Turkey carpet is an exception. Where the furniture is dark and substantial, and the predominating color is a strong green or crimson, such a carpet is always suitable. ”

“ It is far better that the room should be made to fit or adapt itself to the perfect carpet.
If you would buy one, the best that you can do is to choose wisely. They are all of modern make, with very few exceptions. If you have one that is antique, you yourself have made it so, or you have inherited a ragged and neglected example of bygone years. The modern carpets, nevertheless, those still made to-day, are many of them [Pg 95] superb pieces, far outclassing any small rugs of the same weaving. ”