Canalis

Definition and stakes

Portrait of Honoré de Balzac Honoré de Balzac,  Modeste Mignon

“ After sketching the poetry we cannot do less than give the profile of the poet. Canalis is a short, spare man, with an air of good-breeding, a dark-complexioned, moon-shaped face, and a rather mean head like that of a man who has more vanity than pride. He loves luxury, rank, and splendor. Money is of more importance to him than to most men. Proud of his birth, even more than of his talent, he destroys the value of his ancestors by making too much of them in the present day,—after all, the Canalis are not Navarreins, nor Cadignans, nor Grandlieus. ”
Source: Wikisource

Portrait of Anatole Cerfberr Anatole Cerfberr,  Repertory of The Comedie Humaine…

“ CANALIS (Constant-Cyr-Melchior, Baron de) , poet—chief of the "Angelic" school—deputy minister, peer of France, member of the French Academy, commander of the Legion of Honor. Born at Canalis, Correze, in 1800. About 1821 he became the lover of Mme. de Chaulieu, who was constantly aiding him to high positions, but who, at the same time, was always very exacting. Not long after, Canalis is seen at the opera in Mme. d'Espard's box, being presented to Lucien de Rubempre. From 1824 he was the fashionable poet. [Letters of Two Brides. A Distinguished Provincial at Paris.] ”
Source: Gutenberg

Portrait of Honoré de Balzac Honoré de Balzac,  Modeste Mignon

“ In the slang of the green-room, Canalis "dragged the time." He was fond of exchanging glances with his hearers, throwing himself into postures of self-complacency and practising those tricks of demeanor which actors call "balancoires,"—the picturesque phrase of an artistic people. Canalis had his imitators, and was in fact the head of a school of his kind. This habit of declamatory chanting slightly affected his conversation, as we have seen in his interview with Dumay. ”
Source: Wikisource

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