Triglyph

Definition and stakes

F. B. Tarbell,  A History of Greek Art

“ The ARCHITRAVE is a succession of horizontal beams resting upon the columns. The face of this member is plain, except that along the upper edge there runs a slightly projecting flat band called a TAENIA, with regulae and guttae at equal intervals; these last are best considered in connection with the frieze. The FRIEZE is made up of alternating triglyphs and metopes. A TRIGLYPH is a block whose height is nearly twice its width; upon its face are two furrows, triangular in plan, and its outer edges are chamfered off. Thus we may say that the triglyph has two furrows and two half-furrows ”
Source: Gutenberg

Portrait of Vitruvius Pollio Vitruvius Pollio,  An Abridgment of the Architecture of Vitruvius

“ Upon the Architrave in the Friese ought to be the Triglyphs and the Metops. The Triglyphs have a Module and a half for their height, and a Module for their breadth; the Metops are as high as broad; One Triglyph must99 be placed directly upon every Pillar, and the Intercolumniation ought to have three; towards the Corners must be placed the Demi-Metops. ”
Source: Gutenberg

Portrait of Vitruvius Pollio Vitruvius Pollio,  The Ten Books on Architecture

“ He, for instance, after getting together a supply of marble for the construction of a Doric temple, changed his mind and built an Ionic temple to Father Bacchus with the same materials. This is not because it is unlovely in appearance or origin or dignity of form, but because the arrangement of the triglyphs and metopes (lacunaria) is an embarrassment and inconvenience to the work.
2. For the triglyphs ought to be placed so as to correspond to the centres of the columns, and the metopes between the triglyphs [110] ought to be as broad as they are high.
”
Source: Gutenberg

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