Christine Daae

Definition and stakes

Portrait of Gaston Leroux Gaston Leroux,  The Phantom of the Opera

“ On the other hand, I soon discovered the curious moral traffic established between the monster and Christine Daae. Hiding in the lumber-room next to the young prima donna's dressing-room, I listened to wonderful musical displays that evidently flung Christine into marvelous ecstasy; but, all the same, I would never have thought that Erik's voice—which was loud as thunder or soft as angels' voices, at will—could have made her forget his ugliness. I understood all when I learned that Christine had not yet seen him! ”
Source: Gutenberg

Portrait of Gaston Leroux Gaston Leroux,  The Phantom of the Opera

“ Daae's father was a great musician, perhaps without knowing it. Not a fiddler throughout the length and breadth of Scandinavia played as he did. His reputation was widespread and he was always invited to set the couples dancing at weddings and other festivals. His wife died when Christine was entering upon her sixth year. Then the father, who cared only for his daughter and his music, sold his patch of ground and went to Upsala in search of fame and fortune. He found nothing but poverty. ”
Source: Gutenberg

Various,  Tales from "Blackwood," Volume 6

“ Christine shut the window and threw herself on her bed without undressing. It was cold; she wrapped herself in her mantle, and gradually her head sank upon her breast. Her hands, at first pressed against each other, opened and fell by her sides. She dropped asleep, like an infant, in the midst of her tears.
The first sun-rays, feeble though they were, awoke Christine, who sprang hastily from her couch. "Herbert waits for me!" she exclaimed. At her age memory is better for joy than for sorrow. For her the dawn of day was still a rendezvous of love.
”
Source: Gutenberg

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