César Franck

Definition and stakes

Portrait of Daniel Gregory Mason Daniel Gregory Mason,  From Grieg to Brahms: Studies of Some Modern Composers and Their Art

“ «I remember César Franck perfectly. A man who was always in a hurry, always soberly dressed in black, and who wore his trousers too short!... Organist at Sainte Clotilde. It seems that he was a great musician, little known to the public.» Rather harder to explain is the lack of appreciation which in 1880 led those in power at the Conservatory, where Franck was already organ professor, to give the chair of [Pg 132] composition then left vacant, not to him, but to Léo Delibes, the writer of ballet-music. ”
Source: Gutenberg

The art of music, Vol. 03 (of 14… (1915)

“ His own dignified symphonic productions supplemented this necessary work of propaganda, for it must not be forgotten that for almost a century before the advent of César Franck there was no French symphonic music. The French genius, insofar as it expressed itself in music at all, turned rather to the historical opera so pompously fashioned, or the witty and amusing opéra comique. Lalo must be considered with Saint-Saëns and Franck [Pg 35] as one of the pioneers in making a regenerate Parisian taste. His life is colorless and offers little to the critic in interpretation of his musical ideals. ”
Source: Gutenberg

Various,  The Art of Music - Vol. 7 (of 14… (1915)

“ In the second movement we have another Dumka, with its wild, passionate changes, and for a scherzo there is a Furiant, another touch of Bohemia.
In French chamber music with pianoforte no work is so great as the quintet in F minor by César Franck. It is fit to stand with the symphony, the string quartet, even the Beatitudes of this master, as a perfect and broad expression of his remarkable genius. The very beginning makes us aware that we are to hear a work made up of two independent groups of sound.
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Source: Gutenberg

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