Gallia

Definition and stakes

Various authors,  The Yellow Book (1895)

“ But, all the same, though I could have wished Miss Dowie to come nearer to the front in proper person, I enjoyed reading Gallia as I have rarely enjoyed reading a latter-day English novel. The style, if severely impersonal, is sincere, direct, effective; the story is new and interesting, the central idea, the motive, being very daring and original indeed; and the characters are distinctly individualised. They are characters, they are human people, they are persons, they aren't mere personages, mere types. Had Gallia been a roman-à-clef, I think I could have named Dark Essex ”
Source: Wikisource

Various authors,  The Yellow Book (1895)

“ Gallia—so terribly modern, so excessively unusual—a prophecy, rather than a present fact—a girl, an English girl, who declares her love to a man, and yet never ceases to be a fresh, innocent, modest, attractive girl, never for an instant becomes masculine, and never loses her hold upon the reader's sympathy!
A writer of fiction could scarcely propose to himself a riskier adventure than that which awaited Miss Dowie when she set out to write the chapter in which Gallia roundly informs Dark Essex that she loves him.
”
Source: Wikisource

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