“ George Romney, aged twenty-eight, mounts his nag at Kendal and rides forth, with fifty pounds in his saddle-bags, to seek fame and fortune as a painter in London. Nothing matters but his career. Doubtless he is sure—or as sure as an emotional, impressionable man, taking his colour from his surroundings, but conscious of great powers, can be—that when his pockets are full of guineas, he will send for Mary and the children ”
George Romney
Definition and stakes
Quotes about “George Romney”
George C. Williamson, George Romney (1901)
“ He now became the serious rival of Reynolds, who spoke of him in slighting manner as "the man in Cavendish Square," pretending, with studied insult, to have entirely forgotten his name. All the world of fashion and wealth sat to the artist, and his list of portraits reads like a page from the fashionable gazette of the day, including as it does all the persons who were then well known in town and who constituted the cream of society. The opportunity now arose for Romney to show how indifferent he was to the slights and contempt of his fellow-artists who ranged themselves around Sir Joshua. ”
George C. Williamson, George Romney (1901)
“ Romney was at his very best in this delightful group. The faces of both boy and girl are painted with unusual care, the clear eyes of the manly lad seeming to look right into the spectator; while the downcast lids of the girl's face serve but to reveal through their clear semi-transparency the brown eyes which they hide. ”
George C. Williamson, George Romney (1901)
“ The modelling on the face is very dexterously painted, and the tender thoughtful expression of the dark eyes quite beautiful. The hair is painted in very broad, powerful fashion, and the draperies over the bust indicated lightly and put on with a wonderful sliding movement which is notable. On the whole Romney seldom did a more pleasing piece of work than the portrait of this quiet and refined dainty girl. ”
“ GEORGE ROMNEY That Reynolds and Gainsborough were the two greatest portrait painters in England during the latter half of the eighteenth century is a proposition which no one is likely to question. Both had qualities which raised them far above the general, and considerably higher than even the foremost of their competitors; and though preference for the work of the one or the other of them is often as much a matter of taste as of opinion, the pre-eminence of the two is beyond dispute. ”
Leslie Stephen,
Dictionary of National Biography…
(1897)
“ It bears this inscription: ‘To the memory of George Romney, Esquire, the celebrated painter, who died at Kendal, the 15 November, 1802, in the 68th year of his age, and was interred at Dalton, the place of his birth. So long as Genius and Talent shall be respected his fame will live.’ Weak and morbid as his character must in some respects have been, Romney had many amiable and endearing qualities. The retired life he led was singularly blameless. He was generous to his relatives and to struggling artists, and showed no rancour in those rivalries imposed upon him by success. ”
George C. Williamson, George Romney (1901)
“ He completely ignored it, would not suffer it to be mentioned in his presence, considered that it was not worthy of any recognition, and went on painting pictures of all the loveliest women of society, but declining to allow a single one of them to be shown in the exhibitions of the Academy. This determination was partly dictated, no doubt, by modesty, as there is every evidence that Romney was a modest, retiring, shy man, and even at the very zenith of his fame was not found in the brilliant society in which the President delighted. ”
“ In my own opinion, George Romney has better claim than any of the others to be considered next to Reynolds and Gainsborough as a portrait painter, inasmuch as he seems to me to have exhibited more{3} consistently the variety of qualities necessary for excellence in that particular branch of his art.In its outward manipulation of charm and beauty, the work of Romney is all that an amateur need ask of it, and considerations of mere elegance have probably advanced his popularity in the sale room as much as others more really important. ”
George C. Williamson, George Romney (1901)
“ Romney was, as has been already stated, fond of building work, and pleased to see an opportunity of increasing a house or studio; and this propensity of his was encouraged by Hayley, who loved to make a sensation and to live in a large house; and although Hayley was fond of Romney and brought him many commissions, yet on the whole the judgment of later days is certainly to the effect that it would have been better for Romney if he had never met this attractive friend. ”
George C. Williamson, George Romney (1901)
“ Even the reports as to Romney and Lady Hamilton, to which reference is made in a succeeding chapter, are gainsaid by the letters of Lady Hamilton herself which are in the Morrison collection, and no one has ever been able to produce one single piece of evidence in support of the statements that have been too wildly made. ”
George C. Williamson, George Romney (1901)
“ It is not that Romney, as has been unwisely said, made all his women alike, for that is not so; but the charm that constituted one of the chief merits of the artist was dependent to a great extent upon tricks of posture, glance and costume, and, having ascertained what these were, there was a danger on Romney's part of repeating them. ”
Ron Paul, Mitt Romney, Mike Huckabee, and John McCain with Anderson Cooper, 2008 Republican Presidential Debate (2008)
“ So tonight, in terms of the economy, are Americans better off than they were eight years ago?MITT ROMNEY: Well, if you're voting for George Bush, you'd be very interested in knowing the answer to that. If you're voting for Mitt Romney, you'd like to know, "Are you better off in Massachusetts after four years of my term in office?" And the answer would be decidedly yes.I came into a state which was very much in a deep ditch. It was losing money every month. We had a $3 billion budget gap. We had people losing jobs every single month. During my predecessor's term, we'd lost 160,000 jobs. ”
John Knox Laughton, Dictionary of National Biography… (1891)
“ On the Romney's being paid off he was appointed to the Defence with Captain George Hope, in which he was present in the battle of Trafalgar, when he was stationed on the poop in charge of the signals. ”
George C. Williamson, George Romney (1901)
“ During all the time when she first sat to Romney she was living with Greville and was attached to him, and there is absolutely no evidence whatever that the relationship between her and the artist was any other than that of a beautiful and accomplished woman sitting to a clever artist in numerous delightful scenes and characters. Few works in which she is represented are more beautiful than the Circe, in which her fair girlish form is seen advancing toward the spectator full of the knowledge of that power of fascination that she had in so supreme a degree. ”
George C. Williamson, George Romney (1901)
“ Lady Hamilton, by her ingenuity in placing herself in the most becoming and graceful of attitudes, and by the marvellous power of expression that she possessed, enabling her to show in her countenance the very thoughts of the creation that she was representing, delighted Romney, and over and over again he posed her in various ways, and painted with increasing delight her lovely face. ”
George C. Williamson, George Romney (1901)
“ The face is one of peculiar sweetness, and the eyes have an arch look, mingled with thoughtful pathos, which is peculiarly attractive. The face is wonderfully painted, the modelling being subtle and very dexterous; while the harmony of the whole work is most noticeable. The picture is one of Romney's most successful works in its charm of colour and sweetness of expression. The remaining three of our illustrations are taken from the gallery of the Duke of Sutherland at Trentham, and are reproduced by kind permission of their noble owner, and of his Grace's representative, Mr. ”
George C. Williamson, George Romney (1901)
“ Other introductions which the artist took with him were from Sir William Hamilton and his nephew Greville. Romney was not yet a man of any means, and he supported himself whilst in Rome by painting portraits and some historical works, and by copying the great masterpieces which he found in the Eternal City ”
George C. Williamson, George Romney (1901)
“ Much attention has in this work been given to the hands, which Romney rightly believed were indicative of character. The grasp of the sturdy fingers of the boy contrasts well with the long slender fingers which grasp the dog in loving embrace, and the same pleasing idea of divergence can be seen in the modelling of the faces and in the posture and shape of the feet. The dogs are painted in very natural positions: the darker spaniel, which is leaping up to the lad, is evidently in a favourite posture and full of enthusiasm towards his young master ”
George C. Williamson, George Romney (1901)
“ The picture is a large one, as the figures are life-size, and it has been engraved; and hardly any of the works of Romney is more worthy of praise than this vivacious and graceful creation. The wonderful eyes which distinguished the features of Lady Hamilton can be well appreciated in the portrait which we give from the National Portrait Gallery. The face is not altogether a pleasing one. ”
George C. Williamson, George Romney (1901)
“ Romney was now more than ever under the influence of Hayley, which was being used to its full and baneful extent, and other persons were taken into the house on the advice of the poet to assist the artist and to look after him, who were all more or less creatures of Hayley. ”
George C. Williamson, George Romney (1901)
“ There is nothing which, with any degree of accuracy, can be stated against the moral character of Romney whilst he was away from her, and all such charges against him fall to the ground by reason of the absence of proof, and it seems clear that it was no such cause that kept him from sending for his wife. ”
George C. Williamson, George Romney (1901)
“ There is all the effect of power, dignity and determination about the mouth and eyes; the face is a distinct oval, the form rather thin and slight, and the composure of the expression very marked. It is a striking portrait of a beautiful girl of high lineage and important position, and is a triumph of art as a portrait which is at once lovely in itself and a delineation of the mind of the person who is depicted in it. ”
George C. Williamson, George Romney (1901)
“ He was also asked by a person in the village to paint her portrait, and succeeded in performing the commission in so creditable a way, that it was quite clear to the elder Romney that his son was intended by nature to be an artist. Accordingly, yielding to the persuasions of the lad himself, backed up as they were by those of many friends, he took steps to apprentice him to an itinerant painter, who was at that time in their neighbourhood, named Steele. ”
George C. Williamson, George Romney (1901)
“ Hayley was a man of fine taste, personal fascination and amiability, and fond of associating with men of culture and quality; and it is for his friends rather than for any work that he himself did that his memory is kept in honour. Romney is said to have first met him when, returning from Kendal, he stopped awhile at Tabley as the guest of Sir John Leicester; and, as they were all of them great admirers of Pope, the acquaintance began which lasted for so many years, brought them into contact with Cowper and with Gibbon, and eventually made Hayley one of the biographers of Romney. ”
George C. Williamson, George Romney (1901)
“ Romney had always been convinced that the study of the great artists of the Continent was needful for him before he would be able to accomplish what he felt was within him, and he made every effort to get to Italy in order to study the Old Masters. ”
George C. Williamson, George Romney (1901)
“ For over twenty years the two men continued fast friends, and Romney used often to go down to stay with Hayley at Eartham, near Chichester, and spent some weeks during each autumn with him. He decorated part of the house, painting some delightful pictures to be placed in the new library that Hayley built; and he met there many pleasant friends, amongst whom were the poet Cowper and his friend Mrs. Unwin, in connection with whom is the chief claim that Hayley has for remembrance, and also the young sculptor Flaxman, for whom Romney acquired a deep friendship. ”
George C. Williamson, George Romney (1901)
“ Steele afterwards eloped with a young lady who was one of his pupils, and Romney had to assist him in his arrangements. They were difficult, and involved a vast amount of trouble and exposure to night air at a time when the youth was far from strong; and after the gay couple had escaped to Gretna Green, Romney fell ill of a fever, and was nursed by a domestic servant named Mary Abbott. With this young person the artist fell violently in love, and on recovering from his illness married her on October 14th, 1756, when only twenty-two years old, and without any means of his own on which to live. ”
George C. Williamson, George Romney (1901)
“ Romney was, however, determined to leave Cavendish Square, and, acting on the advice of his son to buy a ready-built house rather than to erect one, he purchased an old dwelling-house near Holly Bush Hill, Hampstead, now identified with that known as The Mount, Heath Street, Hampstead, close to where he had been in the habit of lodging for some little while, and where he found the quiet and retirement which he desired. ”
George C. Williamson, George Romney (1901)
“ She, who lived upon adulation, and desired above all that her beauty should be admired, was never tired of sitting to the artist who above all men had the desire and the power to express her features in their wonderful sweetness, and so the memory of the graceful sitter and clever artist are handed down together. There is no doubt that the fame alike of sitter and artist served to make more popular the Grecian style of costume seen in the pictures, and so served to banish the more formal long-waisted style of dress that had been so popular a short time before. ”
“ She knew George and understood him, knew that he had ceased to care for her, and that his art held, and would always hold, chief place in his affections. I am not tempted to play the part of moralist. Romney's niche in the Temple of Fame is as painter, not as husband. Tennyson treated the domestic side in his poem "Romney's Remorse." ”
George C. Williamson, George Romney (1901)
“ The delicious piquancy of the bright little faces, so full of charm, delight all who behold them, and there is also an irresistible grace and sweetness about the figures of his children that is very noteworthy. Mark how cleverly he depicts motion, how easily in the Stafford and Clavering groups of children the young people move, and in what graceful attitudes the artist has represented them. They hardly touch the ground as they gracefully glide around through the figures of the mazy dance, and the happiness of their faces and the grace of their postures are alike most charming. ”
George C. Williamson, George Romney (1901)
“ Classic ideas became more and more the vogue, and to the grace of the drapery is to be attributed some of the charm of the pictures. Once this was realized it was not easy for the artist to alter his original suggestion, and all the great ladies of the day had to be painted in the style that suited Lady Hamilton, but was not bound to suit the different styles of beauty of those who desired to follow her example and be painted by the fashionable artist. ”
George C. Williamson, George Romney (1901)
“ The very roundness of the face is accentuated against the angles of the fingers in their half-closed position, and there is a studied grace in the arrangement of the draperies and in the muslin bands which form the head-dress. In all these respects it is a fitting representation of the famous beauty, who in a less natural pose would not have so amply revealed her power of charm. The painting of the features with all their delicate and slight modelling is a triumphant success, and the eyes, which burn down into the very consciousness of the spectator, are superbly represented. ”
