Gudea

Definition and stakes

Percy S. P. Handcock,  Mesopotamian Archaeology

“ The next illustration (Fig. 85, C.) transfers us from the early Sumerian period to that of Gudea. The comparative proficiency attained through long cultivation of the art is sufficiently obvious. The figure is that of a god, his head-gear being characteristically furnished with four pairs of horns, and unlike the copper votive statuettes of Gudea the god here has bull’s ears. The upper part of the body is left bare, but the lower part, which unfortunately is not preserved, was evidently covered by a garment fastened round the waist by a girdle. ”
Source: Gutenberg

Portrait of William Stearns Davis William Stearns Davis,  Belshazzar: A Tale of the Fall of Babylon

“ When we are well on our way, Gudea, who remains in Babylon, goes straight to the king. ‘Lord,’ he will say, ‘I can get you your Jewess. She is no longer at Borsippa.’ His Majesty questions, and Gudea will answer, ‘Lord, I cannot tell you where the maid is hidden, but pay me ten talents and I swear I [190] can produce her.’ The king rejoices to get you thus cheaply; you will too rejoice, as soon as you learn the sweets of being his favourite; and we rejoice, dividing the riches. Surely, Gudea is a most wise man! ”
Source: Gutenberg

H. R. Hall,  History of Egypt, Chaldea, Syria…

“ On the couch in the shrine the goddess Bau reclined beside her lord Ningirsu, and ate of the great victims which were sacrificed in their honour.
When the ceremony of installation had been successfully performed, Gudea rested, and for seven days he feasted with his people. During this time the maid was the equal of her mistress, and master and servant consorted together as friends. The powerful and the humble man lay down side by side, and in place of evil speech only propitious words were heard. The rich man did not wrong the orphan and the strong man did not oppress the widow.
”
Source: Gutenberg

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