Heptameron

Definition and stakes

Portrait of Agnes Mary Frances Duclaux Agnes Mary Frances Duclaux,  Margaret of Angoulême, Queen of Navarre (1886)

“ In this sense the Heptameron is really interesting. We rummage among its out-dated gallantry and strangely-fashioned piety, and forgotten in the medley, we find a handful of the life of the past. We feel it in our hands, as we had never hoped to feel it; and for its sake we pardon a multitude of sins.
A great many details, quite absurd and trivial, which the Queen merely introduced because they really happened, surprise and delight us. From the very first novel of all we seem plunged in a strange world of contrasts
”
Source: Wikisource

King of Navarre consort of Henry II Queen Marguerite,  The Tales of the Heptameron, Vol… (1894)

“ Only when one remembers the long night of the religious wars which was just about to fall on France, just as after Spenser, Puritan as he was, after Carew and Herrick still more, a night of a similar character was about to fall on England, does the real reason of this singular idiosyncrasy appear. The company of the Heptameron are the latest representatives, at first hand, and with no deliberate purpose of presentment, of the mediaeval conception of gentlemen and ladies who fleeted the time goldenly. They are not themselves any longer mediaeval; they have been taught modern ways ”
Source: Gutenberg

King of Navarre consort of Henry II Queen Marguerite,  The Tales of the Heptameron, Vol… (1894)

“ In the second place, the accusation of looseness is wildly exaggerated. There is one very coarse but not in the least immoral story in the Heptameron; there are several broad jests on the obnoxious cloister and its vices, there are many tales which are not intended virginibus puerisque, and there is a pervading flavour of that half-French, half-Italian courtship of married women which was at the time usual everywhere out of England. The manners are not our manners, and what may be called the moral tone is distinguished by a singular cast, of which more presently. ”
Source: Gutenberg

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