Agnes Mary Frances Duclaux

Biographical details

Portrait of Agnes Mary Frances Duclaux Agnes Mary Frances Duclaux,  Margaret of Angoulême, Queen of Navarre (1886)

“ Very soon the treaty began to bear its natural fruit; this treaty which Margaret praised in prose and verse; this pact of treason and derogation which she declared should give peace, "not to us alone, but to all Christendom." Whom the gods doom, first they madden. Surely some lunacy of vain belief infected France that day when she signed away her independence among such rejoicings; surely some craze had filmed the brain of the tolerant Queen of Navarre, when, laying will and conscience and judgment at her brother's feet, she praised the infamy which doomed so many innocent to death. ”
Source: Wikisource

Portrait of Agnes Mary Frances Duclaux Agnes Mary Frances Duclaux,  Margaret of Angoulême, Queen of Navarre (1886)

“ This point must never be forgotten in seeking to understand the history of Margaret of Angoulême. That life, else so hopelessly confused, so vacillating and effortless, becomes clear and definite when once we understand that not the Reformation but the Renaissance inspired it. Never was a spirit less dogmatic or insistent than hers. She was no martyr, no saint or prophetess. She was merely a woman filled by the new fervour for learning, the new reverence for knowledge; the renascent love for art and poetry, no less than for ideas and for science. ”
Source: Wikisource

Portrait of Agnes Mary Frances Duclaux Agnes Mary Frances Duclaux,  Margaret of Angoulême, Queen of Navarre (1886)

“ The orb of Diana filled the earth with its pale, cold, romantic, and illusive light. The moon had arisen, and reigned over an altered world; a world without colour, at once vague and hard, all black and white; a world of superstition, of phantasmal ghosts and fears; a world of enchantment, a new Armida's garden, where the young adore the old, where a courtesan is honoured as widowed Fidelity, where Probity is avaricious, treacherous, and a bigot. A moonlit world, where the false and the true are equally shadows: the world of Diana and of Montmorency.
It was best that Margaret should die.
”
Source: Wikisource

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