Horapollo

Definition and stakes

Henry Green,  Shakespeare and the Emblem Writers

“ In 1547 he was professor of Hebrew at the Royal College of Paris, and in 1548 edited the quarto edition of Horapollo’s Hieroglyphics.
Horapollo, 1551.
From the edition of 1551, p. 52, we take a very popular illustration; it is the Phœnix, and may serve to show the nature of Horapollo’s work.
“How,” he asks, “do the Egyptians represent a soul passing a long time here?” “They paint a bird—the Phœnix; for of all creatures in the world this bird has by far the longest life.”
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Source: Gutenberg

Henry Green,  Shakespeare and the Emblem Writers

“ Probably the best account we have of the author and of the translator, is given by Alexander Turner Cory, in the Preface to his edition of Horapollo. He says, pp. viii. and ix.,—
“At the beginning of the fifth century, Horapollo, a scribe of the Egyptian race, and a native of Phœnebythis, attempted to collect and perpetuate in the volume before us, the then remaining, but fast fading knowledge of the symbols inscribed upon the monuments, which attested the ancient grandeur of his country. This compilation was originally made in the Egyptian language
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Source: Gutenberg

Portrait of Georg Ebers Georg Ebers,  The Bride of the Nile — Volume 12

“ Orion looked first at the girl and then at the Kadi in growing bewilderment; but the Negro started up, struck his fist on the table, making it shake, and roared out:
"An atrocious fabrication! Which of you can allow yourself to be taken in by a woman's guile?" Horapollo, who had recovered himself by this time, laughed hoarsely and maliciously; the judges looked at each other much puzzled; but when the Vekeel went on raging the Kadi interrupted him, and desired that Orion might speak, for he had twice tried to make himself heard.
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Source: Gutenberg

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