Le Corbusier

Definition and stakes

Henry-Russell Hitchcock,  Architecture (1963)

“ If it ever becomes possible to subsume historically under a single rubric the ‘traditional’ and the ‘advanced’ architecture of the first quarter of the twentieth century, the ‘classicism’ and ‘academicism’ of Wright, Wagner, Mies, and Le Corbusier as well as of Perret and Behrens will prove as significant as the technical feats of those architects who erected the last great railway stations in these years and the tallest skyscrapers. ”
Source: Gutenberg

Ian Courtenay Johnston,  Preliminary Notes on Cubist Architecture in Prague (2004)

“ In fact, as Columina points out in her analysis of Le Corbusier's attacks on cubism (152) , modernism itself can be identified with revolutions in perception produced, not by shifts in art and architectural styles, but rather by the conditions of living in the large city, where a multiplicity of images constantly bombards the viewer in fragmentary and fractured ways, especially given the increasingly emphasis on seeing things while in motion (in trams and cars, for example, and in films) . ”
Source: Wikisource

Henry-Russell Hitchcock,  Architecture (1963)

“ These are much more massively sculptural than the earlier ones in Paris, and almost anthropomorphically expressive of weight-bearing. All the poured concrete surfaces are left rough as they came from the forms, and the prefabricated members of the outer sun-break system have an exposed pebble aggregate. Everything is bold and masculine, even coarse, indicating a complete turnabout in Le Corbusier’s understanding of the essential ‘nature’—itself a rather Wrightian concept—of concrete. On the roof an abstract landscape of sculptural forms plays counterpoint to the superb backdrop of mountains. ”
Source: Gutenberg

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