Lysippus

Definition and stakes

the Elder Pliny,  The Boys' and Girls' Pliny

“ Lysippus left three sons, who were also his pupils, and became celebrated as artists, Laippus, Bœdas, and, more particularly, Euthycrates; though this last-named artist rivalled his father in precision rather than in elegance, and preferred scrupulous correctness to gracefulness. Nothing can be more expressive than his Hercules at Delphi, his Alexander, his Hunter at Thespiæ, and his Equestrian Combat. ”
Source: Gutenberg

Ernest Henry Short,  A History of Sculpture

“ When we add to this the passages relating to his pupils, we can scarcely fail to regard Lysippus as the founder of the realistic school, which was opposed throughout the Hellenistic age to the more fanciful and idealistic art based upon the marbles of Praxiteles. When we come to the consideration of the portraits of the Lysippic school, we shall see that realism to Lysippus did not mean exactitude to life. He always sought to add that rhythmic beauty which Nature never supplies, but which every true artist, and especially every great Greek sculptor, is persuaded lies at the root of art. ”
Source: Gutenberg

Palestine Exploration Fund,  Palestine Exploration Fund - Quarterly Statement for 1894 (1894)

“ But, whoever executed or designed the battle-scene, these characteristics of the art of Lysippus are to be noticed, such as Pliny describes [8] : elegance, precision in details and portraiture, as well as energy of action, and that somewhat dramatic movement which Propertius [9] attributes to Lysippus when he admires his "animosa signa," "figures full of life." Lysippus rather neglected the ideal and preferred to copy nature; most of his works are in bronze [10] —chiefly statues—rarely groups. ”
Source: Wikisource

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