Polykleitos

Definition and stakes

F. B. Tarbell,  A History of Greek Art

“ In the chastened pathos of this scene we have the quintessence of the temper of Greek art in dealing with the fact of death.
Turning now from Athens to Argos, which, though politically weak, was artistically the rival of Athens in importance, we find Polyclitus the dominant master there, as Phidias was in the other city. Polyclitus survived Phidias and may have been the younger of the two. The only certain thing is that he was in the plenitude of his powers as late as 420, for his gold and ivory statue of Hera was made for a temple built to replace an earlier temple destroyed by fire in 423.
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Source: Gutenberg

Peder Mariager,  Pictures of Hellas: Five Tales of Ancient Greece

“ You know that Simonides, in his last will, left me his fortune and his daughter. But, as I am too old to marry a young wife, I want to ask if you are willing to take the girl with a dowry of eighteen talents?”
Lycon stopped, but did not utter a word in reply. If the rude statue of Poseidon in front of the temple of the god had suddenly descended from its pedestal and come towards him, he could not have been more speechless with bewilderment.
“That this may be done,” Polycles continued smiling, “I will adopt you as a son and make you my heir.
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Source: Gutenberg

Portrait of August Wilhelm von Schlegel August Wilhelm von Schlegel,  Lectures on Dramatic Art and Literature

“ The analogies which the undisturbed development of the fine arts among the Greeks everywhere furnishes, will enable us, throughout to compare the epochs of tragic art with those of sculpture. Aeschylus is the Phidias of Tragedy, Sophocles her Polycletus, and Euripides her Lysippus. Phidias formed sublime images of the gods, but lent them an extrinsic magnificence of material, and surrounded their majestic repose with images of the most violent struggles in strong relief. Polycletus carried his art to perfection of proportion, and hence one of his statues was called the Standard of Beauty. ”
Source: Gutenberg

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