Summary

Shearjashub Spooner Anecdotes of Painters, Engravers…

THE ENGLISH NATIONAL GALLERY.
“A fine gallery of pictures is a sort of illustration of Berkeley’s theory of matter and spirit. It is like a palace of thought—another universe, built of air, of shadows, of colors. Everything seems palpable to feeling as to sight: substances turn to shadows by the arch-chemic touch; shadows harden into substances; ‘the eye is made the fool of the other senses, or else worth all the rest.’ The material is in some sense embodied in the immaterial, or at least we see all things in a sort of intellectual mirror. The world of art is an enchanting deception.
Source: Gutenberg

Shearjashub Spooner Anecdotes of Painters, Engravers…

It is a luxury to have the walls of our rooms hung round with them, and no less so to have such a gallery in the mind,—to con over the relics of ancient art bound up ‘within the book and volume of the brain, unmixed, (if it were possible) with baser matter.’ A life passed among pictures, in the study and love of art, is a happy, noiseless dream: or rather it is to dream and to be awake at the same time, for it has all ‘the sober certainty of waking bliss,’ with the romantic voluptuousness of a visionary and abstracted being.
Source: Gutenberg

Shearjashub Spooner Anecdotes of Painters, Engravers…

He once overheard a low fellow cursing himself. “God damn you, indeed!” exclaimed the artist in wonder; “God may damn the Duke of Marlborough, and perhaps Sir Godfrey Kneller; but do you think he will ever take the trouble of damning such a scoundrel as you?” To his tailor, who proposed his son for a pupil, he said, “Dost thou think, man, I can make thy son a painter? No, God Almighty only makes painters.” He gave a reason for preferring portraiture to historical painting, which forms an admirable bon-mot, for its shrewdness, truthfulness, and ingenuity.
Source: Gutenberg

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