Anna Cora Ogden Mowatt Ritchie,
Fairy Fingers
“ Angular shapes were draped so gracefully that unsymmetrical sharpness disappeared; too ample forms exchanged their air of uncouth corpulence for a well-defined roundness; low statures seemed to spring up to a nobler altitude, and women of masculine height sunk into feminine proportions. In short, Mademoiselle Melanie was not a mantua-maker, or milliner,—she was the genius of taste, the artful embodier of poetry in outward adorning. ”
