Osceola

Definition and stakes

Portrait of Mayne Reid Mayne Reid,  Osceola the Seminole; or, The Red Fawn of the Flower Land

“ It was full of points, thoroughly and thrillingly dramatic; the excited agent on one side, the calm chiefs on the other; the contrast of emotions; the very women who had left their unclad little ones to gambol on the grass and dally with the flowers, while they themselves, with the warriors pressed closely around the council, under the most intense, yet subdued, interest; catching every look as it gleamed from the countenance, and hanging on every word as it fell from the lips of Osceola. ”
Source: Gutenberg

Portrait of Mayne Reid Mayne Reid,  Osceola the Seminole; or, The Red Fawn of the Flower Land

“ What could it matter to them, whether the chief of the murderous band was Osceola, Coa Hajo, or Onopa himself?
Their words produced conviction—combined with other circumstances, deep, painful conviction. The murderer of my mother—he who had fired my home, and borne my sister into a cruel captivity—could be no other than Osceola.
All memory of our past friendship died upon the instant. My heart burned with hostility and hate, for him it had once so ardently admired.
”
Source: Gutenberg

Portrait of Mayne Reid Mayne Reid,  Osceola the Seminole; or, The Red Fawn of the Flower Land

“ There was silence, broken only by the sobbing of the two girls and at intervals the voice of Virginia murmuring words of consolation. Osceola himself appeared too much affected to speak.
After a while, the chief aroused himself from his sorrowing attitude.
“Come, Randolph!” said he—“we must not dwell on the past, while such a doubtful future is before us. You must go back to your home and rebuild it. You have lost only a house. Your rich lands still remain, and your negroes will be restored to you.
”
Source: Gutenberg

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