Remington

Definition and stakes

Little Visits with Great Americans…

“ No living artist can equal Remington in bringing into life, as it were, on the very canvas, a bucking broncho, or the sweeping charge of a force of Uncle Sam’s cavalry. One fairly sees the dust on the scorching alkali plains, and hears the quick clatter of the horse’s hoofs as he strikes the ground, and gathers his legs again.
And yet, with all his success, Mr. Remington is most unassuming. I went to New Rochelle, where he has a cosy place on the crest of a hill. He was in his studio, which is an addition to the house; and, as I descended a few steps, he rose from before his easel to greet me.
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Source: Gutenberg

J. Allan Dunn,  The Man With the Mole — 3. Baldy Brown (1918)

“ He saw that recognition was not yet mutual on account of his clothes and their style, but soon it would become definite. He longed to rush up to the gallery and confront Remington. But that would mean arrest. What was Remington doing here? He had been discharged, but how had he obtained this position so soon?
Then he became conscious that others were staring at him, that he was standing in a defiant attitude, glaring at Remington. He saw the spark of recognition come into Remington’s eyes, a smile of triumph begin to come on his face. The ex-paying teller leaned forward.
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Source: Wikisource

R. A. Scott-James,  Personality in Literature

“ Is it thus that Remington will make himself immortal in literature, the twentieth-century Benvenuto Cellini, swaggering, in a self-conscious, twentieth-century way, through the tale of his glorious peccadilloes? Or is it to be a Jonathan Wild, memorable as the hero of a hundred magnificent felonies with which a Fielding or a Wells could glorify a sturdy vagabond? But Remington writes in bitterness. His pen is steeped in the gall of Swift. He feels rancour against Altiora, against the Cramptons, against all the "Pinky-Dinkies" who prescribe morals for a genius erratic in his desires. ”
Source: Gutenberg

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